Quotes About Audience

The film I think was a good film for what it was designed for. It was for kids. Unfortunately the critics slashed it before it even started but that is just the way the cookie crumbles.

The technology is really where all of the changes have taken place, but the fundamentals of a good story being the basis of every good picture, and really the only basis still remains the rule, more so today, I think, because we've unfortunately weaned an audience from birth to kind of mindless movies.

Ballet has a very small audience, unfortunately.

You might be the best Hamlet of your generation in the bathroom, but unfortunately, you have to come out and do it on stage, and it's best to do it to people who would fill the house.

It's a cliche, but the people who enjoy your work and who come up and say, 'I enjoyed that and I liked that,' they are the people who ultimately are keeping you in work. And so, it would be rude and ungrateful of me to be anything but polite.

I'd like my records to reach as many people as possible, but I'm also thinking in terms of how I can keep from getting jaded or unhappy with the process.

A song must move the story ahead. A song must take the place of dialogue. If a song halts the show, pushes it back, stalls it, the audience won't buy it; they'll be unhappy.

I just don't want any songs to go unheard.

It is conceivable that what is unified form to the author or composer may of necessity be formless to his audience.

In the theatre, because you're all looking at the same thing in the same space, consciousness is no longer individual. There is a unified consciousness. Until you look and project what is happening, it doesn't exist; the audience are the ones making the theatre, not the players.

The Middle East is a very difficult stage to play upon. Without doubt, it is a good drama. And on occasion, there are situations so unimaginable, if not ludicrous, as to make them almost comic. But the cast is constantly changing, the audience is often disengaged, and it seems at times that no one is actually running the show.

A lot of the time, if you go into an arena, they're pretty uninspiring. But we try to create an atmosphere.

Being onstage and communicating with an audience was part of my life since I was very little, but I was never pushed into singing. My parents were so uninterested in me making music.

Steven Spielberg is unique. I feel that the kinds of movies he loves are the same kinds of movies that the big mass audience loves. He's very fortunate because he can do the things he naturally likes the best, and he's been very successful.

The thing about stand-ups is you can't really get good unless you're failing in front of a large number of people. That makes stand-up comedy unique: you need a tremendous amount of reserve within you to take the rejection from the audience, and without it, you can't do anything.

We have a unique opportunity as Disney because it really is the only true global entertainment brand.

It's a unique thing to stand in front of a crowd and sing your songs.

I think that theater is a unique way to communicate with people as they gather together with other people they may not even know. It creates a sense of shared community for the time of the performance that hopefully carries over into other aspects of the audience's life because they have shared this experience together.

When we think about making the people in the audience happy, or trying to make them feel something, it kind of goes to waste. Usually we have our best skates when we just think about each other, and we just think about being in unison, and think about the program we're trying to do.

We have a rock audience, classical audience, metal, pop - everything. We unite them all.

I have a very awesome seat in the house every time I play. When the lights come up, and the sound turns on, I'm playing for a roomful of human beings. And geographical and political borders just all dissolve. And we unite through rhythm inhalation. I mean, I'm so grateful that, you know, audiences around the world connect to English music.

There's something really special, and addictive, about making that connection with an audience - knowing that they may never have seen you before, and may never see you again, but that for those moments you've been able to unite them all in laughter, and provide the escape that lies in that involuntary response.

The test audience holds a great deal of power in the process of filmmaking in the United States.

When you're on stage and the stars are aligned and the audience is as one and you're guiding them, steering them... It's a feeling of incredible potency, of unity, of such, such joy. It's almost overwhelming to know that you're making that number of people feel better.