Quotes About Audience

We're a direct mirror of the audience, and that shows how hip-hop has expanded. It's no longer just an urban thing, and it's no longer just an American thing, either. It's a universal thing.

We are a layered society, so what may be taken easily by an urban audience may not go down well with those watching the same film in suburban areas.

I don't design for myself. I design something keeping in mind that it has to please a lot of women.

An audience is never wrong. An individual member of it may be an imbecile, but a thousand imbeciles together in the dark - that is critical genius.

When you work so hard on making a film, it's all worthwhile when you get to experience seeing that film with an audience who thoroughly enjoy it and react to the movie.

When both a speaker and an audience are confused, the speech is profound.

In working out our callings, we are to perform for one audience, the audience of One.

An artist is waiting for the audience to understand the work. A craftsman is working to understand the audience.

An audience is always warming but it must never be necessary to your work.

The choreographer and the dancer must remember that they reach the audience through the eye. It's the illusion created which convinces the audience, much as it is with the work of a magician.

I am a real ham. I love an audience. I work better with an audience. I am dead, in fact, without one.

Usually, when we talk about creativity, it's about self-expression, which is great, but for work to be art or design, there has to be someone on the other end. The audience makes the work come alive.

And I also felt that no one in an audience could abuse me worse than the sort of abuse I had had at work as a psychiatric nurse.

When I go the cinema, unfortunately nowadays, especially with the big commercial films, the audience is spoon-fed through the entire experience and they don't have to do any work.

I'd rather work on my radio show, which no one hears but I put about eight hours of programming and writing into it for those 30 people who do tune in.

Do you know what makes a movie work? Moments. Give the audience half a dozen moments they can remember, and they'll leave the theatre happy.

You have to find your tone and work within that to make it as real so the audience can really engage in the story you're telling.

Direct address has been a consistent tactic in my work, regardless of the medium that I'm working in.

In real life, you just work for the ordinary self, but in the front of audience you become the superself. That's a completely different thing.

When I go onstage, I'm going to work ...I feel like my performance is about an emotional connection. I want to connect with people, whether it's like a romantic song or a happy song.

If DreamWorks and Disney need that name to sell the cartoon and get people in the seats, that's what they need. It's not fair, but there's plenty of other work for us to do.

God is a great humorist. He just has a slow audience to work with.

I began to work the stage and get the audience into it. I also learned how to have fun out there. It is something I will never forget.

In storytelling, the audience actually wants to work for their meal, they just don't want to know that they're doing it.