Quotes About Audience

Reality TV is utterly exciting.

I believe that theater has to be utterly life-changing for the people watching it.

When I'm asked who my audience is, I say someone with an open mind, which is not a vacant one and sometimes a liberal mind is not the same thing as an open one.

The movie 'Vacation' had a whole different ending. They never even got to the amusement park, Wallyworld, at the end of 'Vacation.' The last 20 minutes of the film was entirely different - and bombed so badly that the audience just stopped cold.

I love that drag is a way for people to vacation in the gay nightlife, but... it's quite a different experience to perform for a gay audience than a straight audience.

We do play to our audience. It's very important. You can't create music in a vacuum.

Television used to be made much more in a vacuum; the only feedback the audience had for a long time was in a Nielsen number that would arrive sometime after the show had been broadcast. And now, people are just completely engaged on so many levels, and I think that you have to find a way as a show creator to follow your own compass.

You always draw on your experiences with live audiences to know how to do comedy on films. You're working for a laugh that may or may not come six months later, but you're working in a vacuum at the time you are doing it.

If you don't get feedback from your performers and your audience, you're going to be working in a vacuum.

So much magazine writing is playing to an empty room. You work like a plow horse, your words get printed on a half-million or more copies, and then it often just disappears into this national vacuum.

Women's stories are valid, and they need to be developed in a way that appeals to a broader audience. And what is 'women's television' other than TV that women would enjoy watching?

Every artist wants to feel like they're still valid in a contemporary way. But you can't be so arrogant not to think that people who have thrown down their hard-earned money don't want to see and hear the things they want.

I don't seek validation outside, not even with the audience. Today they like me, but tomorrow they may hate me. I don't want to be anybody's role model.

'Rocket Science' is really where I fell in love with filmmaking, I think 'Camp' was incredible, but it was so bizarre, and I was trying to find my footing in this world where you don't have an audience for immediate validation.

When I'm writing, I'm constantly thinking about myself, because it's the only experience I have to draw on. And I don't see an exact reflection of myself in every face in the audience, but I know that my songs have validity to them, and that's why the fans are there.

Companies in Silicon Valley invest a lot in understanding their users and what drives user engagement.

Lists that segment people into clearly-defined categories are particularly valuable to direct marketers, which can tailor their sales pitch to a particular demographic and, therefore, increase the likelihood of making a sale.

For me, there is nothing more valuable than how people feel in a movie theater about a movie.

My opinion is not valuable to the general public.

That's really what's kept me at 'TYT' even though I've gotten offers where I'd make a lot more money working at other media outlets: There's a value in making sure we inform our audience so they're responsible members of the democratic process. To me, that's more valuable than ratings or money or anything else you can get at these other networks.

So much of selling a film in the industry is about creating a fulcrum where all the pressure comes to bear, and something seems suddenly valuable and approved by an audience. It's amazing how people could pick up tons of films on the cheap, but they don't because they wait until everything is laid out for them.

For me, there's nothing more valuable as an actor, or better way to learn, than getting to perform in front of a live audience, no matter where you are. Whether it's on Broadway, in Florida, or doing a tour.

We have people who pay to use our products and services, and they are heavily engaged in our content. If you erase the brand perceptions of AOL, and consider that people pay to use our properties, you would probably consider this one of the most valuable audiences on the Internet.

I wasn't in NXT for very long, but what I learned there was very valuable once I got onto the main roster - how to communicate to a larger audience, stuff like that.