Quotes About Audience

Besides, there were 50,000 fans or more there, and they wanted to see the best you've got. There was an obligation to the people, as well as to ourselves, to go all out.

We don't see ourselves as liberal or conservative. We consider ourselves an outlet that addresses the issues that matter the most to our audience.

The issue is: how do you engage the audience? And one of the things I talk to our communicators about is: The outline is great; the stories are great. But how do you engage them? How do you make it feel like we are on a journey, not you are just up there giving me information.

Being onstage is just a feeling that you cannot duplicate anywhere else because the energy that the audience is giving you forces you to give more energy. It's such an output and exchange of energy. You can't do that anywhere else.

You know, even with the 'Awkward Black Girl' episodes, they come out once a month. That's great for me, it's comfortable, it gives each time to digest, time for new people to get on to it and caught up, but oftentimes I have people who are almost demanding a higher output from me.

What better way to attract an audience than to get everyone to shout 'Outrage!' at the size of your advance?

Now because the film industry is what it is, if people are expecting a certain film genre and they're not getting it, there are howls of outrage.

I always try to keep in mind that while the characters in a farce may find themselves in outrageous dilemmas, and may behave in a way that the audience finds amusing, the characters themselves don't have the consolation of knowing they're in a comedy.

If I can get the audience to connect with the characters emotionally - and they love who they are, they love the larger-than-life situation that they're in, but most of all get the audience invested in the characters - then I always feel like I can sort of put them in the most outrageous circumstances, and the audience is okay to go with that.

We've never been outrageous on stage.

It's so nice to be able to get up on stage and just say the most disgusting, ridiculous, outrageous, offensive thing, knowing it's just between you and the audience.

No matter what kind of film audiences pay money to watch, they definitely expect to be entertained. They want to forget the outside world and have a good laugh while watching a movie.

I'm just trying to have fun, and maybe the way I hold myself kind of freaks people out. I don't feel like an outsider, and I think my friends feel the same way I do. Now that we're playing to larger audiences, maybe we're weird to some people. But I'm trying to express what I am.

It is extremely arrogant and very foolish to think that you can ever outwit your audience.

Being in front of a live audience is like taking an steroid shot. The applause, the claps in each and every dialogue , people being mesmerized by the performance, and the standing ovation is unparallel. This kind if a feeling you can not get in any other medium!

I tell the people that hire us, if we don't get a standing ovation when we're finished with our performance, it's free - and we've always been paid.

I would get ill before going onstage - something about getting in front of people, and if they don't laugh, I'm a bomb. I got over it when somebody laughed.

I've been around long enough now that people who don't get into the outrageousness, the over-the-top stuff, they know not to buy my books anymore.

The audience has a level of control, when you watch 'Invisible,' that nothing in 2D can give you. The overall climax of the series will work no matter how you get there, and the climax of each episode will work no matter how you get there, but no two viewings of an episode will ever be the same.

Some of the overflow audience actually sat on the stage.

I'm always flabbergasted and overwhelmed by the audience a film reaches.

The reason why Hollywood cranks out so many sequels and adaptations is because the audience is so overwhelmed with choices, the only way to get them in the theater is to give them something familiar.

If you don't write with the reader in mind, you are not a writer, period.

If you look at romantic comedies as pieces of commerce, the audience is looking for wish fulfillment.