Quotes About Audience

between the disfigurement and the muzzle, it's nearly impossible to catch what she's saying. Always, though, while tripping and stumbling to the music, she looks out into her audience and tells the story about her mother. Most people laugh and yell for her to lift her skirts, but every so often she'll spot someone weeping and swear they can understand her every word.

I can't remember the last time I've enjoyed silence in an American theater. It's easy to believe that our audiences spend the day saying nothing, actually saving their voices for the moment the picture begins.

You people are...assholes! I mean, what the hell, you can't even applaud for your own teenagers? I'd meant to but figured the team was back in coach.

While the mini-series based upon novels generate a good deal of interest, it's these real-life dramas that tend to draw a larger audience. Why? I chalk it up to five simple words we use in every print or televised promotion. Five words: "Based Upon a True Story." Not made up in the mind of some typist, but true. Some say that truth is stranger than fiction

I would later discover it was a bad idea to gather more than two of these people in an enclosed area for any length of time. The stage was not only a physical place but also a state of mind, and the word audience was defined as anyone forced to suffer your company. We young actors were a string of lightbulbs left burning 24 hours a day, exhausting ourselves and others with our self-proclaimed brilliance.

Es detestable pensar en el público, lo único interesante es pensar en una persona que te escucha.

Through the mediating work of four cultural formations—carnival, tasting, contact zones, and edgework (or risky play)—the chapter explores how the articulation of market play provides a tool for leveraging and for holding an audience; works to redefine markets as pleasurable, exploratory, nontrading spaces; and provides a playful structure through which neoliberal market relations can be parodied and critiqued.

Be completely fearless. [...]Write without constraints, or worrying about who you represent, or whether you should represent anyone, or who your audience is, or what you can or can't do with a female character, or a black character, or someone of restricted growth, or someone who's hugely fat. You must write total confidence that the fiction is its own justification.

The others forgot the work and the weather watching them throw. It was art. A thousand dollars a throw in Madison Square Garden wouldn't have gotten any more breathless suspense. It would have just been more people holding in.

You can't abandon an audience you created, because people will find someone else.

I really enjoy playing that everyman part because that part is us, the audience. And you need somebody inside a comedy to tether the absurdity to reality.

As long as I am getting acceptance, I would rather take one step at a time and let the audience also accept me.

I make films according to the taste of the audience.

As an actor, it's important to feel for the character, as you will be watched by audience, and when you start feeling your character, you share a sense of happiness and achievement.

People don't want to always see a comedy or an action film. If the film in a particular genre is made well, then it will see its share of success.

Is an audience open to seeing a film that isn't what they expect when they see a film that's been adapted from a children's book?

Audience's love is addictive. I would do anything to stay loved by them.

I've felt very comfortable on stage and love making people laugh. It's that kind of addictive thing where you get a laugh and you just want more.

People think that theater actors are too big for the camera. It's like, 'No, we're actors and we adjust for our audience.'

The admiration and love that the audience has been showering on me is amazing.

I don't want to make movies for kids, and I don't want to make movies for adults either.

I believe in advancing the story with the cover so that the audience gets taken in immediately with that cover.

I would advise anyone starting out as a singer/songwriter to play live as much possible. You never know who might be in the audience.

I don't make records so I can sit down afterward and listen to them. I make them so other people can sit down and listen to them.