Quotes About Audience

Media is an assemblage of tools with which to expand an audience's conception of what "the world" is to such and extent that their own lives and capabilities seem utterly insignificant; a means of psychological warfare by which people are overloaded with information and desensitized to their own and others' suffering; the sum of all means by which human beings reduce the infinite complexity of reality to a dead-end maze of abstractions.

You have to fool yourself before you can fool the audience.

John and Paul always had a special link between them, a chemistry that added to the heat: they knew intuitively how to share the stage and the limelight, how to spar with each other and how to play the audience so that the girls went wild.

Better to write for yourself and have no public, than to write for the public and have no self." - "Meglio scrivere per se stessi e non avere un pubblico piuttosto che scrivere per gli altri e non essere se stessi".

The relationship with a live audience seems to me to count for more.

There is simply no substitute for taking the time to determine the meaning of the narrative. Only after this has been secured, by the steps suggested above, will it be possible to ask how this text may now be applied in the times, culture, and situations that a present audience of readers and listeners faces.

I think a theater show is a pure version of me doing my material. The theater crowd is a bit more polite, there really aren't hecklers, and there are a lot of people there to see me, and they're excited about the jokes and hanging out with me for a show.

Some might not know that 'What's Happening' was the television version of 'Cooly High.' When I went on the audition, it was an audition for exactly that: the TV version of the movie.

Sometimes an actor will stumble on the joke, and I'm right on them. Back it up before the audience hears the bad version of the joke, because humor is 90% surprise. If they know what's coming, they won't laugh as hard.

Once you buy into a television show, there doesn't have to be resolution from week to week. You can develop characters and storylines and react to the audience, so you get more of a serialized version of storytelling where you can go much deeper into each character. It's more like a novel.

The think that we hung the film version all on was 'Hedwig' on tour. On stage, it's one theatre, one show. It just seemed natural to change it. In the film, we were able to go to flashback rather than have her talk to the audience. And we had the play to practice and to see where we had made mistakes.

I think all versions of limited-overs cricket have attracted more people to the game.

Most artists I run into aren't that thrilled with what they do anyway. They are glad to have different versions out there to see which one the audience likes the best.

People always ask why I stay in the online space versus going to TV or film, like most people would do, and the answer is that there's opportunity for innovation online - not only innovation in storytelling, but also innovation in how you interact with your audience and that is very fulfilling to me personally.

That's the thing that we said about the horn before: it's a focus issue. It's like a singer versus a drummer. If a drummer's playing a drum beat, and a singer starts singing, what do you think the audience is going to do?

Any underrepresented audience loves to see themselves on TV, but what's more important is that we're writing about universal themes - good versus evil, can you change yourself? These themes resonate for everyone.

We work in vertical and horizontal planes. We avoid depth characteristics as much as possible. This reduces the number of pictures in a five minute segment from 12,000 to 1,200. And the public likes the technique better.

Traditional horizontal search engines cannot always identify the target audience, niche or vertical industry of a page or site. Vertical search engines address this issue by the nature of their design. They identify sites according to more specific criteria and sometimes even by human input.

My philosophy is, it's always very rewarding when you can make an audience laugh. I don't mind making fun of myself. I like self-deprecating comedy. But I'd like you to laugh with me occasionally, too.

I feel like my music is just an extension of my acting. I treat the songs like scenes that tell a story... it's very similar. My favorite thing is when cartoon fans show up to my live gigs! They are always the most kick-butt audience members 'cause they're not trying to act all cool like a lot of the music fans do! It's refreshing!!

There's something about being in front of a live audience that's fun. It's a really interesting, very electric, very alive, and intense experience, and you can't get it anywhere else. And I've been doing it since I was 23, so it's part of my being - it's part of my fabric as a person.

All I needed to do was sing with conviction, speaking my truth from the heart, honestly and straightforwardly, and to offer my words, ideas and music to the audience as if it were one collective friend that I'd known for a very long time.

The way actors interact with their audience via Twitter is a part of their personality. So if I interact less, that is a part of my personality. I am mostly lost in my own world.

Now an audience of more than 1 billion people is only a click away from every voice online, and remarkable stories and content can gain flash audiences as people share via social networks, blogs and e-mail. This radically equalizes the power relationship between, say, a blogger and a multibillion dollar corporation.