Quotes About Audience

You pass a poem to the audience through the words as embodied literally by the rest of your human form. And the people listening and watching come back at you in an equally embodied way.

Once your poems are completed, you send them into the world. You don't write for a coterie of other writers - you write for other human beings.

A poet can feel free, in my estimation, to write a poem for himself. Or a painter can paint a painting for himself. You can write a short story for yourself. But for me, comedy by its nature is communal. If other people don't get it, I'm not sure why you are doing it.

A poem can have an impact, but you can't expect an audience to understand all the nuances.

To have great poets, there must be great audiences.

I once said a poet has the right to sing as loudly and vocally as he wants to. Most poets should face a rock n' roll audience for one night to keep them honest.

One thing that I have noticed is that whatever be the function, however poignant or serious, the audience always prefers a speech laced with a bit of humor.

When I hear a story, I think about it from the point of view of the audience.

I'm not a mean comic, I don't want to turn anybody off - I just want to give a point of view or my take on things that everyone can laugh at.

There are lots of podcasts that look at films from the audience's point of view. There are also plenty that look at it from the combatants' point of view. It's invariably the case that the less likely you are to have heard of the people talking, the more interesting they'll be.

My job as an actor is to just tell the story as best I can from my character's point of view and let the audience decide.

I am extremely choosy about the scripts that I accept. I choose movies from an audience point of view - keeping in mind what they would like to watch.

Personally when I listen to a script, I think from the audience's point of view. I would ask myself whether they would like to see me in this role?

Onstage, even though you're here together with the other actor, face-to-face, playing out the scene, you also have that other ear pointed out toward the audience and how they're listening. That informs a lot.

There are so many low points with stand-up. You are perpetually humiliated, so it doesn't really matter anymore. I don't have any dignity left to lose. An audience can't hurt you anymore when you've been completely dismantled.

I make it a habit of never trying to judge what an audience might think, only because all points of view are too close, because we're doing it every day, I think that the actor's point of view is sometimes too close to what the material actually is.

People see my films, and they cheer and they clap, and they are the kind of movies I like to see myself.

It's not about being modern or classical or about being sexy: it's all about exchanging energies with the audience.

A classroom setting for me was an audience.

There's a lot of pressure to chitchat with the audience. But when they're in school, people don't want to get up in front of their classroom when they have to talk about themselves or a project.

I think my music has connected with the audience because I always have a clear vision about my songs.

I never get to think about myself when I do films. I started in advertising, so I always have to think about what my client and my audience things. If a film doesn't work, it's a big failure.

The better job we do of getting the right fans in the right seats at the right time, the more money our clients are going to make.

If I am not excited about a project, then how do I expect my audience to watch my film? Give me good roles, and I will be working round the clock.