Quotes About Audience

I appreciate the audience for checking us as comics.

When I started in comics, people were always trying to classify me as either/or. Either a writer who appealed to women or a writer who appealed to guys. This need to categorize was just exhausting.

Commercial movies have no feeling, no sensitivity. Most people tell me people won't understand films with feeling. But everyone can feel.

Today films are made to cater to commercial markets created by multiplexes, not for those who enjoy good cinema.

It is said that anyone who does commercial cinema is not acting, and anyone who does an art film is acting. I don't believe it. I feel whenever you are doing a film, you are acting. So you need to be applauded for that. I won't do art house cinemas. I want to make commercial films. I want my films to make money.

London theatre is different: it is a commercial theatre that brings the whole of society into one place. And Shakespeare grasped, better than anyone else, what it means to engage the entire audience.

Even the multiplex audience wants this flavour. No big-budget film can be a commercial hit until it does well both at multiplexes and single screens. 'Ghajini' and 'Dabangg' are examples.

There are some commercial artists that have number one after number one, and you go to their show, and the show's one-note. Yeah, they're all hit songs. But there's no emotion, because they're the same kind of hit songs, because they're what works at radio. That kills live shows for me.

I want to be commercial. I'm never the person who says, 'I don't care if people don't see my movies.' I always want people to see my movies.

There has to be a continuation of the communal experience of filmgoing.

For me, until I know that the audience really gets what I'm trying to communicate I'm not done.

I love essays, but they're not always the best way to communicate to a larger audience.

If you start trying to communicate ideas, I think you don't allow the audience to see themselves.

When you're making the film, you don't really think the audience; it's only when you start editing that you really start to became aware of your audience because you're thinking of how you communicate these ideas, and how lucid can you be, and yet stay within the language you've established.

My strength is to communicate with an audience and to know what jazz singing is capable of.

I don't make films for myself; I make them in order to communicate with an audience.

I want to make a film that can reach as many as possible so I want to talk in a language which I can easily communicate with.

I watch films, so I know what it is to be there in a theatre as the audience. So I always want to communicate with them when I make films, but that is not the only thing. I also want to say something which I feel deeply, and which I feel I can connect with the rest of the audience.

Wonderstorm is a new company and 'The Dragon Prince' is our first kind of big, exciting story that we're trying to bring to an audience.

'Saturday Night Live' is live television. Nothing can compare to that.

Compared to EDM, I feel like there are a lot of girls at my shows.

My goal in any show is to make people laugh. That's the No. 1 thing. Everything else pales in comparison to that.

With a very small team you can create compelling content and reach a large audience.

Stars are always bigger. They bring the audience to the theatres. More than that, they do a lot of work in a film, and they are always on top. I am in no way competing with them.