Quotes About Audience

To me, it's important to try and make an emotional connection with the audience.

The way Salman connects with his audience, I love it! I am trying to learn that from him.

Not every work of art connects with the audience.

I believe when you work hard, even if you are a mediocre actor, the audience connects to you.

Whenever it is inspired by literature a film is elevated and the audience connects.

As soon as I have the idea, I need to create as quickly as possible, because it's what's going on in society, and that's what connects me to my audience.

You will never, I think, fully conquer the play. Every night, you see this Everest before you. It's that two, three hours and the audience, and you'd better tell the truth.

I started out mainstream and then literally made a conscious decision, like, 'I don't have that core black audience on my side.' And then I literally started looking for projects to get involved in.

My family, my mom in particular, got so much love and appreciation from the audience. As a consequence, I have also got some of that love. I now have to work doubly hard to prove that I deserve it, on my own, also.

The stage is close to being in the middle of the hall, so that the performers are surrounded by the listeners. I feel that we are all experiencing the music together.

If you're going to take a risk as a comic, make sure it's surrounded by other things that you're certain are funny.

In most specials, the performer's up - not only not surrounded, but up on a stage - and there's a distance between them and the audience, and I think my comedy doesn't work as well in that way.

When we started, we knew the show was going to be hit or miss, and we needed to find a core audience to really make us survive. And I think we've been able to do that.

I'm convinced whenever something opens on Broadway, it's a miracle. It's a miracle that people survived.

Certainly 'Survivors,' when we put that series out, the second series dipped below 5 million for one of the episodes - all of a sudden, there's no recommission, and I think that's dreadful.

Facebook and Myspace are the U.S. audience, which is tried and true when it comes to being susceptible to ads.

If something is successful with the audience, it's automatically suspect; the reverse is to say that not to reach audiences is the greatest compliment an artist can receive!

As a child, I was just never that interested in the lives of my favourite actors, like Cary Grant. I do wonder whether knowing too much about someone's personal life interrupts an audience's ability to suspend disbelief, to really invest in the characters. My preference would always be that people engage with the work.

I always like to have faith that an audience will suspend their disbelief, if you present it to them in the right way. I find it peculiar when people scoff at one bold idea, and yet they'll then turn over and watch a man travel through time in a police phone box. I think it's just how you present the idea.

Theatre's great. It's such an act of faith. It's a wonderful art form where you suspend disbelief for a couple of hours. It's a lovely art form because the actors and the audience are alive and in the room at the same time together. That's why I love the theatre.

It's my job to motivate the audience to believe. I have to get them to suspend their judgment in favor of involvement.

I think 'Pretty Little Liars' is going to be hugely popular for adults, for kids, for girls, for guys, you know, something for everyone to look at, and the stories are going to be great. There's suspense every week. The friendship is really fun to watch. I think it's going to have something for everybody.

Good films will run, and people will watch it irrespective of whether it is suspense or a comedy.

It's a delightful thing to do, to entertain kids. They're a completely different audience because of their total lack of irony. You're always after a total suspension of disbelief, but the only people you can really achieve it with is children.