Quotes About Impact

My style influences my music and everything around me.

Prince played a big influence on my style.

I want to make clothes that people will wear, not styles that will make a big splash on the runway.

Jericho is generally considered a main event guy, as he should be. He's a future Hall of Famer, I believe. So any rub, for lack of a better term, that AJ Styles can get from Chris Jericho is positive.

Do you want to talk about matches that matter? Randy Orton can go out there, John Cena can go out there, AJ Styles can go out there and put together matches that matter and not have to do silly dives because they don't know how to work.

Being back with Impact wrestling, I couldn't be happier for those guys, but from a professional and business side, it energises me so much to find the next AJ Styles, the next Bobby Roode, the next Samoa Joe.

Mostly the guys I worked with like wrestling AJ Styles, Jamie Noble, wrestling Chavo Guerrero, wrestling Rey Mysterio... As much as I try to be an individual or unique I can't deny the strong effect these guys have all had on me.

To me, the X Division has been the core of Impact, and my all-time dream match is AJ Styles, and he was one of the pioneers of the X Division.

Each moment calls for a different stylistic essence and a different sense of impact, and mastery of this balance is an art form - a very learnable art form.

And I said - Styx - as a musical group it is our place to reflect the light that is shining on us back onto this place and say - this is where so much great stuff started.

Pop culture is like our subconscious.

Hollywood makes stuff that people absorb, and it lingers in your subconscious.

I think people do sci-fi a huge disservice by lumping it as some sort of bizarre subculture genre when I think everybody's lives are impacted by sci-fi at some point.

I don't want to do stories that don't have a heart. I'm just not going to be satisfied with stories where I can't be passionate about the subject, where I can't make a difference.

Many of our buildings have large format murals that are of varying subject matter, and we've found that those are the sort of things that make people stop, digest, and absorb.

I wanted to portray very, very dark subject matter and a deceptively complex story in the brightest colours and simplest lines possible to leave the readers reeling.

If you make a record, you should ask yourself, 'Did it make someone cry, in a good way, not a bad way?' There should almost be subjective emotional criteria for evaluating work, instead of just profitability.

But I think musicals are going to have to deal with important subjects.

The thing about documentary is that you don't really choose your subjects: they come and grab you out of your bed.

To nurture the sort of relationships that will truly help propel you towards accomplishing great things, you need to forget transactional networking and focus on having in-depth conversations with fewer people about subjects you really care about.

I love and I'm intrigued by what history does to people and to subjects that matter.

I believe in creating ideas that consumers actually want to engage in, creating movements with our thinking and not bombarding them into submission.

I really subscribe to that old adage that you should never let the audience get ahead of you for a second. So if the film's abrasive and wrongfoots people then, y'know, that's great. But I hope it involves an audience.

Now, I'm not onboard with the argument that jokes are destructive to humanity. There are bigger issues, and I do not necessarily subscribe to the belief that jokes perpetuate violence and racism. They lampoon those things most of the time. But I could be wrong about that. I'm not a sociologist or an expert.