Quotes About 3D

We know that, relative to GPS, radar is not as accurate - we'd be seeing our planes' precise positions in 3-D, not just approximate locations every eight seconds.

To me, still my favorite 3D film is 'Dial M for Murder.' I thought that was great. Hitchcock used it, could put you in the room, which I thought was fantastic, but I'm still not a devotee of 3D.

The learning curve is 'The Hobbit' is being shot in 3D.

Doing 3D on 'Hugo' was a big learning curve for me, but fun!

The ideal engine of a 3-D game is an intricate and elegant construct of code that allows players to speed through solidly built virtual worlds. The engine allows every picture on a monitor to be drawn there quickly enough to convince hand and eye that it is instantaneous.

The one thing with 3D presentations is I think that 3D itself, whether it's 24 or 48, is at a very interesting point in time.

Sculpture is a series of 3-dimensional shapes which, while fitting together, cause the perception of lines to the viewer, even where they do not exist.

The best thing about the new energy field activating your planet is that you will find yourselves more able to create your own realities because the expansive nature of the Sirian geometric field makes synchronicities visible in 3D. If you just follow the connections between unrelated things, you can create anything. This expanded field will harmonize your body to any higher vibrations that you can detect, so let your body lead your choices.

The theater remains relevant because of 3D. It makes it an event. You go there, 400 people put on their glasses, and it's just fun.

The way we built 'Future Shock,' you have a height map and instanced 3-D objects rendering on top - that, believe it or not, is still how we build today. It's our basic paradigm for how to build a space.

I mean I've seen 3D films so far and I think it's a long way to go before they replace actors. It's a funny thing with 3D, I haven't quite got it yet. Yet.

I like that 3D is based on the fact that you look with two eyes, so two cameras imitate that.

I'm taking a bit of a wait-and-see attitude towards 3D.

Well, I have no problem with 3-D but I don't think it's necessarily a blanket requirement for every film.

I can imagine an automotive designer or an industrial designer building a product in 3D, all in real-time. That's the way a lot of people are going to work in the future.

The best simulator for spacewalking is underwater - it allows full visuals and body movement in 3D. Virtual reality is good, too, and has some advantages, like full Station simulation, not just part. Like all simulators, they have parts that are wrong and misleading: an important thing to remember when preparing for reality.

I'd probably play games obsessively if I didn't write, although I admit I don't read novels partly because I don't enjoy it, not just because it's the wrong side of the creator-consumer barrier for me. I'm a visual writer. I think in moving 3D images and write down what I observe.

On 'The Dragon Prince', we wanted to push that even more to leverage the strengths of a CG and 3D pipeline. We wanted details on the character designs, in the costumes and sets, that you really can't get in traditional 2D animation.

If I knew that 3D was going to be such a big deal, I would have gotten that boob job 10 years ago.

Some of these DJs have screens, 3D blocks, flames, gas and even a trapeze. It's like looking at a really stupid customised car.

Just like those little Viewmaster slides, there's a inherent magic that's captured in 3D that you can't get in drawn animation or in CG.

The 3D thing has been abused slightly, I think. There is no question about that. 'Avatar' did it magnificently, and then, of course, there was the old 'leaping on the bandwagon' thing where there have been one or two films which, let's face it, all know look bloody awful with the 3D.

Having made a real 3D movie, you realize that, right from the production design, you're designing sets that complement the 3D. You're designing interactive elements, like rain or smoke - all this particulate matter in the air enhances the 3D. But if you're shooting in 2D, you don't know about that.

When you put on the glasses in a 3-D movie they just kind of sit there and you forget about them.