Quotes About Commercial

begin this chapter by reviewing the evidence that many users indeed do develop and modify products for their own use in many fields. I then show that innovation is concentrated among lead users, and that lead users' innovations often become commercial products.

likelihood of innovating is higher for users having higher lead user index values. The rise in average innovation attractiveness as one moves from left to right indicates that innovations developed by lead users tend to be more commercially attractive. (Innovation attractiveness is the sum of the novelty of the innovation and the expected future generality of market demand.)

universities and the Library of Congress, with support provided by grants from the federal government (Tedd 1994). Until roughly 1978, the only such systems extant were those that had been developed by libraries for their own use. In the late 1970s, the first commercial

Nothing's so apt to undermine your confidence in a product as knowing that the commercial selling it has been approved by the company that makes it.

Since childhood, I'd dreamed of making a film, but producers in France and Germany wanted to make commercial films with chinoiserie. I refused.

Regardless of what film you make, you want people to watch your film, and you ultimately need commercial success.

I'm very sensitive - I'll cry during every movie or commercial - but when it comes to my own feelings, I don't really think about them that much unless I'm making music. Otherwise, I'm either checked out or laughing because that's how I do regular stuff. I have a hard time talking about my feelings.

There is no evidence that more regulation makes things better. The most highly regulated industry in America is commercial banking, and that didn't save those institutions from making terrible decisions.

We can expect commercial enterprises to attempt whatever lawful ruses they can pull off. It is up to society, represented by government, to stop them, through the kind of regulation that has so far been lacking.

I want girls to be able to relate to me, and I think that's why a lot of commercial clients like me: because I'm just like everyone else.

I am glad that 'Lust Stories' is coming on Netflix as opposed to the kind of commercial release it was going to get.

Buddha' is my third film but I chose to release 'Hate Story' first because I wanted commercial success.

Historical novels are hard to do for the general public for commercial writers like myself.

The way I made 'Diamonds and Dirt,' which had all those hits in a row, was that I was just making a record. It was just the one that rolled up in my natural process, and it happened to be commercial.

My films like 'Shahjahan,' 'Youth' and 'Pokkiri' were major commercial hits.

I think bad movies are made around the world, not just in Hollywood. There are as many bad art films in the whole world as there are bad commercial films.

I think hip hop is dead. It's all pop now. If you call it hip hop, then you need to stop. Hip hop was a movement. Hip hop was a culture. Hip hop was a way of life. It's all commercial now.

I am still cautiously hopeful about the potential of the Internet. But it seems that the greatest revolution in communication has been hijacked by commercial values.

Commercial film is a film that makes a lot of money, and I have very high hopes from 'Sonchiriya.'

Working in a hugely, commercially successful film benefits everyone.

TV goes to a commercial for air freshener. A woman is spraying air freshener so her family will be happy.

Someone once said that history has more imagination than all the scenario writers in the Pentagon, and we have a lot of scenario writers here. No one ever wrote a scenario for commercial airliners crashing into the World Trade Center.

The contracts for Iraqi rebuilding are commercial contracts. I think being in the coalition of the willing puts us in the radar screen, but we also have to compete with other countries that are in the coalition of the willing, but the Philippines is a country that has produced world-class skilled workers that we have seen all over the world.

With literary fiction, generally a film maker falls in love with a book. In commercial fiction, it's a producer or studio falling in love with a book they can make into a movie with worldwide appeal.