Quotes About Commercial

It's great that we have commercial filmmakers who make family films and understand the aesthetics well, taking this route. They know how to bring the emotions out there without being vulgar. After all, it's a natural instinct.

There's a lot of vulnerability in songs - I'm not talking about pop songs - from people that are in the art of songwriting more than the commercial enterprise of it.

We are vulnerable in the military and in our governments, but I think we're most vulnerable to cyber attacks commercially. This challenge is going to significantly increase. It's not going to go away.

I've always had this American-pie face that would get work in commercials... I'd say things like, 'Hi, Marge, how's your laundry?' and 'Hi, I'm a real nice Georgia peach.' Sometimes this work is one step above being a cocktail waitress.

My first job, actually, was a Chicago Bulls commercial. I was a ninja. I walked with a limp for a week afterward and got paid 500 dollars 6 months later. Thanks, guys.

This is Port of Spain to me, a city ideal in its commercial and human proportions, where a citizen is a walker and not a pedestrian, and this is how Athens may have been before it became a cultural echo.

I do support artists standing by their beliefs and walking with integrity. We have to find a better way to commercially exploit music while giving artists their proper respect. This cannot be done while taking their contributions for granted or trying to control the scope of their growth and power through threats and fear tactics.

I was more of a commercial model. I wasn't into ramp walks or photo shoots.

I'm sure there are some commercial applications for Twitter, but they don't really interest me. I mean, 140 characters? I am really not interested in Ashton Kutcher's daily walks. Not for me.

I was so green, and my background was mostly in theater. The only thing I'd done in front of a camera, besides an infomercial and one commercial, was 'Brothers McMullen.'

A lot of dramas get a bad name commercially because they are unremittingly bleak.

I want to do a good, high-tech-commercial-action film. Something along the lines of Bollywood's 'Dhoom.'

Not all Bollywood movies are made for the passion for it, they're mostly made to make money.

I would never want to do a content-driven film with a box office life of Rs 20 crore.

Film is not just about the art form but also how it fares at the box office.

Manhattan is just all bank branches.

Jean-Luc Godard saw me in a commercial. He first asked me to play a little part in 'Breathless' of a girl who is taking her clothes off. I said, 'No, I don't want to take my clothes off.' But he called me again for 'Le Petit Soldat.' He said it was a political film, so I didn't have to take my clothes off at all.

If the film succeeds at the box office it is a commercial film. Otherwise it isn't.

A lot of people don't remember anything since 'Ice Ice Baby,' but I've got 3 records out since then and they're all successes - but not commercially.

I think a lot of the most interesting work in art and in films are often kind of polarized opinions and affect people in very different ways, which may be less successful commercially, but they elicit a dialogue that's quite interesting.

By creating a perception that the U.K. places a higher premium on striking commercial deals than it does on promoting and protecting human rights, our reputation in the world suffers.

When I was doing 'Kanche,' a lot of my well-wishers and friends in the industry suggested that I concentrate on doing commercial films.

In 'Barfi,' we have departed from regular commercial stuff and used the melody 'Bare Bare,' sung by Sonu Nigam as the introductory song for Diganth.

I was always snobby about soap operas, and commercials, too, but one does have to eat. I remember auditioning for a commercial for a mouthwash or chewing gum or something, and I had to pretend to be the back end of somebody in a horse costume. After that, I said, 'That's it. That's it. You've sunk too far!'