Quotes About Commercial

You see I don't like to be really too commercial about things but in this business you've just got to be commercial otherwise the films don't make money and you don't make films and as a long as a commodity is selling it's silly to kill it dead.

If you take 'Agni Natchathiram,' it is about two half-brothers and their emotions and those are genuine, which can be made into a very hard-hitting film just that it can be presented in an entertaining fashion. Similarly with 'OK Kanmani,' it is a genuine film; it is not a flippant film just for commercial purposes.

I do not differentiate between a commercial and an indie project as long as there is a strong subject and the character in the script is relatable.

Look at the commercial and industrial development that is going on along the 101. A lot of the infrastructure - the sewer lines and drainage that make development possible - was put in during the freeway construction.

The story of 'Lalpan Bibi' impressed me and my character also. It has all the ingredients of a great commercial masala movie.

Some of the subject matters that I like to make stories about are definitely not inherently commercial. So I have to look for a very special kind of financing and go down a very gentle path in order to make my films, as do basically all social-realist filmmakers. It's a long process.

We embrace the shoestring budget. We like being limited by the constraints. It inspires creativity. I don't know what we would spend money on. We don't hire actors. We see budget constraints as a personal challenge. We're like survivalist local commercial directors.

Coming out of Dallas and doing commercial work in Dallas - if you had improv background in Dallas, then you were instantly shot to the top of the list of commercial bookings because they loved improvisers because you could elevate the material.

When you hold things back, when you don't commit completely to your ideas and trust completely in your own instincts, you are guaranteeing your own failure - even if you end up having commercial success.

When I entered the industry in the early 1970s, I was a gold medalist from the film institute, Pune. That was when graduates from the film institute were very quickly absorbed by the mainstream commercial industry.

The fear is that if the dollar falls below 50% of the currency basket held by commercial and central banks and insurance companies, there may be a democratization of the way currencies are priced.

The first interview I went on I got at age 5. It was a commercial for First Federal Bank.

The only time men fall in love with roses is on douche commercials.

La publicidad es el único trabajo en el que te pagan por hacer las cosas peor de lo que puedes hacerlas. Cuando presentas una idea genial y el anunciante desea estropearla, concéntrate en pensar en tu sueldo, y, en treinta segundos de cronómetro, endósale una mierda siguiendo su dictado y añádele unas palmeras en el story-board para salir a rodar el spot durante una semana en Miami o Ciudad del Cabo.

Today there are more people who know the words to a television commercial than know the words in the Bible.

Each year over 2 500 commercial vessels enter the Port of Hampton Roads alone, so adequate funding for port security is a significant issue for those of us who live in Richmond and Hampton Roads.

Myron showered and threw on a pair of sweats. His pants had blood on them. His own. He remembered that old Seinfeld routine about laundry detergent commercials that talk about getting out bloodstains, how if you have bloodstains on your clothes, maybe laundry wasn't your biggest worry. The

Science fiction used to be a dangerous literature. Now, it is a very commercial genre, and whatever dangers might still lurk within seem to have been safely sanitized for the marketplace. The real crime is that the lobotomy has been self performed. [David Gerrold - Afterword]

Starving lynch mobs might well have been roaming the fields of southern England demanding reform, but here within its heavily policed boundaries, London pursued its pushing, shoving, shouting commercial life without shame, without hindrance, without distraction.

If we haven't become the Liberty Party of an undoubted future, let us take this fact: the great totalitarian regimes have died. The Soviet Union broke up along ethnic lines, as we always thought it would. The Chinese - am I wrong? - are becoming a commercial civilization.

I think we have the wrong notion of commercial and intellectual or artistic film. Because all films are commercial.

We do not need to be heroes to save the world; all we need is humility, a critical view of the commercial and political interests of those who would mislead us into wrongdoing, and a sense of wonder.

In many ways, 'Lords of Chaos' is my first real movie. I went deeper with this film than any of my other movies. I approached my other films like I did my music videos or commercials, like jobs. But 'Lords of Chaos' I wrote myself, and it's a close, personal story.

When I wrote 'The Rozabal Line,' I had no preconceived notions of what a commercial bestseller should be. I have always viewed 'The Rozabal Line' as my first love and probably my best work. The fact, however, is that it is my least read work.