Quotes About Commercial

For commercial customers, we have invested in specialist mobile-first sales capabilities, and we are building out our device-selling channel.

IMDb only lists specific projects. It doesn't list theater, commercial, and most non-union work. You also have to pay to upload your reel to most sites, and some places still make you walk your DVD into their physical location.

I've always loved and enjoyed the theatre, but I have to say that none of our sponsorships have been done because I'm one of those chairmen and chief executives who goes gooey-eyed about something. They are done for a very specific marketing and commercial agenda.

Commercial speech is like obscenity... we can't seem to define it, but we know it when we see it.

Xerox did OK in moving to digital in the commercial space. They didn't do well in the consumer market, but they're not a consumer brand. They don't even know how to spell consumer.

The difference between Rappler and other newsgroups in the Philippines is that journalists control Rappler both editorially and commercially. We make decisions that are bad for business but protect the public sphere.

Watch MTV and you can see what the music scene is like in England. The Spice Girls? Not a lot of creativity in the commercial area. There are still great musicians in England, but not a lot being heard that much.

As I say, the Animals had a particular concept of themselves as a band. There was an anarchic spirit in it, which was being flattened by commercial designs, attitudes, and needs.

Spirituality gives you better understanding of the commercial world.

I am a commercial hero, and I will never leave that genre. And having an image of a mass hero, I will spoil the whole script in the wake of being too experimental.

One of the things that defined me is that I spoke in my songs very loudly, the negative messages, and I already managed to dominate commercial music.

A major street intersects, at something other than a ninety-degree angle, a smaller commercial street, defining two (smaller) acute-angle lots and two (larger) obtuse-angle lots. On one side of the major street, the obtuse-angle lot is occupied by a two-storey office building

Every fifth link in the Chain was public property. These tended to be parks, though some served as cultural facilities. So you were never more than two links away from green, or at least open, space. The other 576 links were privately owned, and constituted a commercial and residential real estate market that would have been easily recognizable to any pre-Zero property magnate.

Since the military part of town could not tolerate disarray and the commercial part found it unprofitable, all of the chaos had been pushed into the old town, which had become the kingdom of broken plans and improvisations

near real time. . . . If the intelligence establishment can in effect use a credit card to buy excellent commercial imagery, so can tyrants and terrorists.71

Although it performed the same functions as the Dutch Wisselbank, the Riksbank was also designed to be a Lanebank, meaning that it engaged in lending as well as facilitating commercial payments. By lending amounts in excess of its metallic reserve, it may be said to have pioneered the practice of what would later be known as fractional reserve banking, exploiting the fact that money left on deposit could profitably be lent out to borrowers.

Increasingly, its discount rate was seen as the minimum short-term interest rate in the so-called money market (for short-term credit, mostly through the discounting of commercial bills).

I was a complete anomaly in this business. I didn't fit into the Hema Malini-Zeenat Aman commercial cinema mould, neither the Shabana Azmi-Smita Patil art cinema mould.

I couldn't be a conventional commercial actor without being a star-kid. That kind of a big film needs a certain mounting, a little paraphernalia around you. And nobody would give me that.

Since it was too difficult to get into the Screen Actor's Guild in New York, I moved to Miami in 1982 and started a successful career as a television commercial actress, obtaining my SAG card there.

Movies are a commercial medium. We don't make movies to impress our friends and critics. It's an expensive medium. We have to gain money from it.

How is the United States at once the most conservative and commercial AND the most revolutionary society on Earth?

in a society dominated by the fact of commercial competition, money is necessarily the test of prowess, and wastefulness the sole criterion of power. So

Commercial men weren't looked down upon as they had been in old England; for, after all, this was an industrial age, and business and politics were pretty thoroughly mixed. The recent Prime Minister, Mr. Stanley Baldwin, had been an ironmaster, and the present Prime Minister, Mr. Neville Chamberlain, was an arms manufacturer from Birmingham.