Quotes About Commercial

Music, dance sequences, action stunts are key parts in a commercial film but there has to be relatable content as well.

'Banshee' was interesting because it was on cable, and it didn't have commercial breaks, so it read like a movie. Not only because of that, but it was a pretty interesting style, and I hadn't read a show like this.

I don't know about the public and the industry, but I am an all-time Sanjay Leela Bhansali fan. His cinema is completely stylized and commercial and yet hugely experimental.

It's very eclectic, the way one chooses subjects in the movie business, especially in the commercial movie business. You need to develop material yourself or material is presented to you as an assignment to direct.

Public radio is the last oasis of free and independent music. For satellite radio channels, you have to subscribe; commercial stations are as corporate as basic cable.

Industrial hemp is a safe substance with many practical commercial applications.

I've never been an artist that really got into fluff songs. I like songs that have substance to them. I think sometimes that may hurt me commercially a little bit. But I like to cut things that have the power to speak to people on an emotional level. That's the power of country music to me.

'Heartless' is a rare commercial film where I have a substantial role.

Auctioning of natural resources such as spectrum, coal, oilfields, and land for commercial exploitation can largely substitute for tax impositions.

You know, you can be really quite subversive in popular fiction, which is capable of taking on big issues of politics, war, the rise and fall of commercial dynasties.

Commercial success still hasn't come to an artist that isn't signed to a record label. There are very few artists that can succeed without the help of a record label. The role of the record label is still required, it's still necessary.

Composing for money was held in no shame, and the public concert spread throughout Europe. Wealthy countries that did not groom their own composers, such as England, imported them from outside with lucrative offers. Handel and Haydn were their two most notable imports. British conductor Roger Norrington said of Handel: "[the Messiah] was written for money ... he was a commercial composer; if he were alive today, he'd be doing jingles for

It was the impossible physical expectations that pushed me towards a more commercial trajectory. My body was becoming more womanly, it was a natural thing, and my mother wanted me to feel proud of that, not ashamed. Trying to steer my body away from its natural curviness would have been physically unhealthy so instead I steered my career towards an audience who would identify with it and embrace it.

This was a commercial situation, not some exercise in an Applied Theology course.

It's pretty hard to make out what's going to be a commercial success and what's not.

Great designers seldom make great advertising men, because they get overcome by the beauty of the picture - and forget that merchandise must be sold.

The best bands kept making records and had this evolution, where by the end, by their commercial phase or sellout phase, the records are from outer space.

In the advertising business, a good idea can inspire a great commercial. But a good insight can fuel a thousand ideas, a thousand commercials.

[Global-warming debate] some kind of tricky campaign made up by some commercial structures to promote their business projects.

Major labels didn't start showing up really until they smelled money, and that's all they're ever going to be attracted to is money-that's the business they're in- making money.

Commercial distress in any great business center will the more surely create widespread disaster.

Granted, there are times when, for business reasons, you do something that's more mainstream. But even then, I try to find something that has a dark or subversive aspect.

The studios are very much business. Maybe it was always that way. It is really commercial now. Judgments are made and directions are given to make the cash register ring.

Publishers are in business to make money, and if your books do well they don't care if you are male, female, or an elephant.