Quotes About Commercial

I'm not writing great literature. I'm writing commercial fiction for people to enjoy the stories and to like the characters.

As far commercial success, I don't think that's a focus but it's not that we don't enjoy that. It's not something you can attempt and achieve.

I'm not averse to being in big commercial films.

My first audition was for a commercial for the lottery. I didn't get it, so I hate the lottery.

I have a very commercial appetite. I don't like to do high-brow things.

I didn't really go the starving-artist route. I kind of went and did massive, commercial things.

It is said that anyone who does commercial cinema is not acting, and anyone who does an art film is acting. I don't believe it. I feel whenever you are doing a film, you are acting. So you need to be applauded for that. I won't do art house cinemas. I want to make commercial films. I want my films to make money.

The first commercial routers came out about 1986, and services came in 1987.

So far, yes, I have been doing only commercial films because those are the kind of films that came my way. Those are the kind of films that I liked, but definitely I'm open to doing other kinds of cinema as well, and if something comes along - if I like a character - then I would definitely do something off-beat or edgy.

London theatre is different: it is a commercial theatre that brings the whole of society into one place. And Shakespeare grasped, better than anyone else, what it means to engage the entire audience.

I've always wanted to be a very commercial director, or I had dreams of making these movies into blockbusters. And with each movie, they tell me it's not that way.

I'm very hands on with my music - I do all the artwork and everything myself - and the songs I write aren't necessarily the most commercial.

Even the multiplex audience wants this flavour. No big-budget film can be a commercial hit until it does well both at multiplexes and single screens. 'Ghajini' and 'Dabangg' are examples.

I have an issue with the commercial aspect of moviemaking: I don't see why a movie can't make a lot of money and also be good.

My brother was scouted for a commercial when he was three, and it was just because he could speak clearly and was well behaved, basically. I don't think he had any amazing acting ability at that age - although he is actually a great actor.

I've had lots of commercial success. I've also had some terrible reviews and some wonderful reviews.

I do want to make something clear: SpaceX does have a lot of government business, but we execute in a commercial fashion.

You have to be a little commercial, and that's what I learnt over the years.

There are some commercial artists that have number one after number one, and you go to their show, and the show's one-note. Yeah, they're all hit songs. But there's no emotion, because they're the same kind of hit songs, because they're what works at radio. That kills live shows for me.

A lot of the commercial world wants to bank in on the cachet that jazz brings.

Before my big break in 'MADtv,' I was doing a lot of commercial work.

I think you do independent movies because you're looking to cut away from commercial movies.

It is all about playing a challenging role, and whether a film is a commercial one or not does not really matter.

I want to be commercial. I'm never the person who says, 'I don't care if people don't see my movies.' I always want people to see my movies.