Quotes About Sketch

When I was 10 or 11, I started to sketch, and my drawings happened to be like fashion drawings... I'm lucky to have had this dream to chase since I was very young.

When I teach sketch writing, there's still a beginning, middle and end.

During my military service, I performed a sketch in which I played a flea called Max. So when critics kept misspelling my name, I decided to change it and thought, 'Ah! Max!'

For myself, the way that I learned comedy was doing it live for four years, and only after doing sketch for four years did I feel confident enough to be like, 'Okay, I feel good about starting to put stuff on the Internet where it lives forever.' As opposed to one time at a college sketch show where it bombs and we never speak of it again.

If you don't like the people, you're just doing a sketch. Which, in most cases, is comedy minus some emotional backbone.

Every time I see Trump on TV these days, I'm waiting for him to burst out, 'Live from New York, it's Saturday Night!' That would make sense to me - that this has all been one long 'Saturday Night Live' sketch.

I'll go in a minute to see a sketch show.

'Reno' was originally going to be a sketch show, with the cops as a transitional element.

There was a sketch group at Emerson, and if you could believe it, we were the cool kids. That's how Emerson rolls. I was a film major, but I spent most of my time doing that.

I've always wanted to do a sketch show. And they've sort of gone out of fashion for a bit, or they've just stopped doing them for whatever reason.

I once played Jennifer Lopez's werewolf body double in a sketch. I don't think anyone was shocked when the sketch got cut after dress rehearsal.

We met in high school, all in the same grade, and started doing improv and sketch together. That was almost 20 years ago at this point, and that's our identity outside of 'Impractical Jokers.'

I'd worked on music docs for years. It felt like writing a novel. By the time I got to Keith Richards, it felt like making a sketch.

It's a very hard thing to explain when we sit with writers on our shows. But then if they show us a sketch, instinctively we'd know who we'd play.

I feel passionately that we need more space on TV for sketch shows for character actors to experiment.

Life experiences help in understanding the character. And many things come to your mind regarding the character sketch when you read the script as many times as possible.

The comedy I do on TV came from me being at art school and seeing Gilbert and George films, thinking they were hilarious. I was trying to do that, a sketch version of art, and it ended up on TV.

A sketch show by its very nature is hit and miss.

I am constantly in a need to create irrespective of the medium. When I started out, I did sketch and I continue to do so on paper sometimes. Mainly, I work with acrylic and ink. Honestly, I don't have the patience for oil paint to dry.

With Red Skelton, you could fall flat on your face and he'd do his sketch around it.

My preference is for people who can do sketch comedy or situational comedy, where it's not a joke, but it's telling a story.

I did sketch comedy with a troupe at the Nuyorican Poets Cafe.

Getting recognized on the street is fine, but I never really wanted to be famous. I just wanted to have mastered the art of sketch comedy.

When I graduated, I was director of my school's sketch comedy group, and I knew that I wanted to be writing and performing my own sketch comedy. It kind of made me want to do my own one-person sketch group.