Quotes About 50 Cent

50 Cent is a brilliant marketer.

Travis Scott is definitely a big inspiration. Lil Wayne was a big one. Lil Wayne, 50 Cent. Those were my two, like, big ones growing up. Then I got into Mac Miller, Wiz Khalifa phase.

When I put out my first mixtape, '50 Cent is the Future,' it was the first tape where an artist did the entire tape in song format.

I'm really obsessed with this show right now called 'Power,' produced by 50 Cent.

The MC that we love are usually the ones that we consider be kinda heartless, like 50 Cent. That's pretty much the prowess and power of an MC. That's what sells.

The first album that I bought with my own money was 50 Cent's 'Get Rich or Die Tryin'.' That was, like, the 5th grade, 6th grade.

I was one of the first rappers to have his own forum. Then 50 Cent made 'Thisis50.com,' and everyone made sites just like it.

People think artists like 50 Cent don't have charisma, but it's just a different kind of charisma, a bully charisma, which is kinda frowned upon.

Nas always been my favorite rapper, but 50 Cent, he changed my way of thinking about music 'cause he was so detailed in his music, I knew that wasn't lying. I never felt Tupac that way; I never felt Biggie that way. I love Nas music, but I never felt and believed like, 'This is for real.' 'Cause I grew up that gangsta lifestyle.

If you had no Eazy-E, you got no N.W.A., no Dr. Dre, no Ice Cube, no Tupac Death Row years... no Bone Thugs. No Aftermath, no 50 Cent, no Eminem - the way we know them. The branch that is called Eazy-E on the Hip Hop tree is massive.

I lived in New Jersey in a massive house, not a 50 Cent mansion, but four bedrooms, and I had acres of land.

I went to a record store and asked for 50 cent. They kicked me out for pan-handling.

Overall, working with 50 Cent was one of my favourite moments. I grew up, like most of us did, listening to his music and loving him as an artist, so to be able to work with him as an actor was definitely something that was so exciting.

The vibe on 'Starboy' comes from that hip-hop culture of braggadocio, from Wu-Tang and 50 Cent, the kind of music I listened to as a kid.

I made a Vine with 50 Cent where I smashed two quarters together, and he popped up.

As for the Folsom Prison show, ... would anybody have the [guts] to do that show now? 50 Cent, maybe? I think the whole idea of even playing to a crowd of people like that is so politically unfavorable now - it's like, 'What are you doing, singing for these people? Do they deserve it?' There's such anger in our culture right now, that kind of grace and forgiveness, we don't see that very often.

The driver turned up a rap tune. Loud. With more bass than a barrage of howitzers. Something by 50 Cent. Or Two-Bits. Shiny Penny. What the hell did I know about rap music?