Quotes About Set

I'm not the biggest horror fan. I get scared so easily. If I'm just walking on set, and someone taps me on the shoulder, I scream and jump and freak out.

One thing really important is that we set out an agenda of compassionate Conservativism. That's what I've been trying to do in the Justice Department.

I never wanted to be the annoying kid on set.

To have children on the set, you realize that if a 10-year-old can do it, who are you kidding? It humbles you.

It's not that we go around the set thinking, 'Oh, today we are going to kiss, so let's enjoy'. It's not that. It's acting. If it's important for the script, so be it.

'Dark Knight' shot in London and Chicago, and we were on that for so long.

We've never had nannies. We've had great grandparents, great support from family, and the kids have been on every set: they've seen me play Gollum, King Kong, Captain Haddock, the lot. They totally get it, and they want to go into the business. Ruby, my daughter, is very keen to become an actress.

I'm so unprofessional on set it's not even funny.

Maniac Mansion," Sadie said. "That's it. Of course, it's Maniac Mansion. God, we loved that game. I was thinking, we should make something set in a mansion sometime." "And each room is a time-travel portal." "Maybe all the people from all the different periods who ever lived there are there." "And they're not happy about it," Sadie said.

Not being tense but ready. Not thinking but not dreaming. Not being set but flexible. Liberation from the uneasy sense of confinement. It is being wholly and quietly alive, aware and alert, ready for whatever may come.

During the Shadows' five-minute break I was introduced to their front man, Steve Van Zandt. The Castiles by now had a significant reputation, so he knew who I was; we talked a little shop, we hit it off and he went back on for his next set. So began one of the longest and greatest friendships of my life.

To move forward simply set your intentions, be grateful for what you have, be open to what is possible, and the rest just happens as a beautiful and effortless flow.

Louis Tomlinson, who is a member of One Direction, his mum was a chaperone on 'Fat Friends.' So Louis used to come to the set with his mum, and since I was the only sort of young person around, we would kick a football around, things like that.

I've learned all my hair and makeup tricks on the set, and I incorporate all kinds of things when I'm getting ready, and I'm big on blotting papers. I get a very shiny forehead, which I like to call my inner glow coming out.

I have really long hair, so I don't cut it all that often. Sometimes, when I'm working, I just have the stylist on set trim it for me. I don't dye my hair. When I was a teenager, I dyed my hair five colors at one time. It was all different shades of red going from more orange to more purple. I thought I looked so cool.

I saw 'Cats' on a school trip. I thought it was neat and a little weird. The set was cool.

I'm a call-sheet junkie. I love being on set. So, the hardest thing for me is dealing with all this idle time. That's when I get into trouble.

I do a big roast of Trump during my set now - which I clearly expanded on - because there's so much to make fun of him about now.

I've always wanted to do a segment on a talk show. Jay Leno has been such a good friend, and if he would allow me, I'd have to get it all together, but I'd like to go on 'The Tonight Show' and do a set with no props. Or come out with a trunk and never touch it. Or come out with a clear trunk with nothing in it.

I'm confident that the wrong cinematographer on a project can very much derail the mood and the feeling on set when you're trying to create a bubble of trust, effectively.

Once I'm on set, the only thing I'm really interested in is being in the room. Being present. And trusting that what I've done is sufficient, and I'm also trusting that I've also left room for magic.

The truth is that many people set rules to keep from making decisions.

I personally have never made a movie in Hollywood, because I don't want to get up in my own bed and then go to the movie set, and then come home at night to my real life.

I just adore being on set. I adore storytelling. I can be on a set 70 hours a week and on those weekends, I'll still want to watch movies.