Quotes About Set

I want to be on set and die hearing those words: Where's Peter?

When I'm on set, I'm 100 percent comfortable, but at events and photo shoots, I'm beyond nervous.

There's a natural set of constraints with mobile phones that force you to be a better photographer by acknowledging and observing the world around you.

If you have a cool personality, the photographer will want to work with you because he or she will have more fun on set.

I often say television is not a job for grown men. You go to a set, they pick out your clothes for you, they tell you where to stand, what to say, and your chair has your name on it in case you can't find a place to sit.

Eugene Levy is such an incredible legend. He's truly Jim's dad from 'American Pie.' He's the kindest, most fatherly man, who is just concerned about everyone and making sure they're comfortable on set.

Each of my Shakespeare pieces is different to the other, but each espouses a set of philosophies common to all my theatre work.

You really get to direct the movie three times when it comes to the action sequences and the set pieces.

Hanging out with Pierce Brosnan on the set of 'A Long Way Down' was quite an extraordinary thing to do. The interesting thing is, he never behaves like a star. He's a really nice man.

If I get a script that's set in the jungle it goes to the bottom of the pile because I don't think the playgrounds are going to be very good there! I'm really aware of how lucky I am but I have the kind of job where I can bring my child to work.

There was a strange atmosphere on the set because we were filming in this large house, which was used for troubled children. You'd go in and find walls had been burnt down. The building was charged with this history and it stayed with us throughout the filming.

When you're even on a regular movie set, you still have to suspend your disbelief. You're working there with only 3 walls of a room, and you're in costume, and you have a camera 6 inches from you and have a crew of 75 watching you. So even there, you have to crank up your imagination.

Ariel Pink would be a regular on the Mike Douglas Show. Both a master songwriter and a charismatic figure, he'd wander the set like a cherubic, more likable Jim Morrison. His songs would be all over KFRC - the way Boz Scaggs ruled for one summer with 'Silk Degrees.'

I wanna work; I love so much making films; I hope I can do one after the other. Being on set is what makes me happy, so... The more I can, the better.

As a DJ, I'm really focused on the crowd. I never play the same set. I always look at the crowd, try to read what they want, and always look at the signs, point at people.

I'm always friendly and encouraging on set. I want people to be at their best creatively.

I love the energy of an independent film set. No one is there for the money. Everyone is there 'cause they really want to be there. It makes all the difference in the world. It's without ego and agenda, other than just wanting to fulfill a creative dream.

Every actor has their own process. For me, I really need to stay in the pocket. So, if I'm on set and I'm in character, I'm not thinking like a producer. If I'm on set and I'm not in character, wardrobe and make-up, and I'm just coming on set for the moments that I'm not shooting, then I'm able to be the producer.

The best filmmakers have a very familial attitude in sort of embracing the set, beyond the cast, with the wardrobe, and the hair and makeup, and the props, just making everybody feel very familial.

I did a few DJ gigs at empty clubs, sort of as a warm-up set before Flume was a thing. I did one when I got big enough, and I had five friends come down, and they were the only ones dancing. That was one of my earliest ones. I was super nervous.

To me, 'Warrior' was a real turning point - probably one of the greatest experiences I've ever had as an actor on set.

Nothing will turn you into more of a 'Star Wars' fan than being on a 'Star Wars' set. When you see how lovingly that world is rendered by the set designers, costume designers, props department, art department, they genuinely build an actual world. That is not an exaggeration. They build a world.

One of the things I took from my wartime experiences was that reality was a stage set... the comfortable day-to-day life, school, the home where one lives and all the rest of it... could be dismantled overnight.

On my first day on the set of 'Boston Legal,' I thought the director was calling me 'Candice' instead of 'Constance.' But I didn't realize he was actually talking to Candice Bergen.