Quotes About Set

All of us are born with a set of instinctive fears - of falling, of the dark, of lobsters, of falling on lobsters in the dark, of speaking before a Rotary Club, and of the words Some Assembly Required.

He popped the trunk and pulled out from his duffel a set of NV goggles. "Good thing I didn't have my duffel in the car when we went into the water." "Yeah, good thing it was just us in the car," shot back Knox.

There were no new ways to understand the world, only new days to set our understanding against.

We are glad the Dauphin is so pleasant with us; His present and your pains we thank you for: When we have match'd our rackets to these balls, We will, in France, by God's grace, play a set Shall strike his father's crown into the hazard. King Henry, scene ii

During the times in which these events are set, there occurred a quite spectacular renaissance in fancy-dress occasions.

Vows to the living may be set aside, with their permission. But the dead do not negotiate.

I hold that if the Almighty had ever made a set of men that should do all the eating and none of the work, he would have made them with mouths only and no hands, and if he had ever made another class that he intended should do all the work and none of the eating, he would have made them without mouths and with all hands.

I don't believe in locking myself in a vanity van. I prefer to stay back on the set and observe.

A lot of people like me who worked in Republican politics had a personal set of beliefs on issues that were at variance with the candidates that we worked for.

The music that I listen to on set really varies. When I need lots of energy and I'm dying down towards the day, I need to play hip hop or rap or else my energy just crashes after a long day. When I'm shooting something moody or where I have to play it down a bit, I'll play Lana Del Rey or something more mellow.

When I'm traveling, I always bring a big variety of healthy snacks and superfoods - usually opting for vegetables and fish or seafood when ordering food or on set.

I think that every artistic venture is a risk, and it has to be that way, so you do as much preparation as you can and make that as thorough as you can possibly make it, until you turn up on set. It's about taking risks, and some might work and some might not, but that's what makes it interesting.

The big advantage to playing the Venetian in Las Vegas - where it's a beautiful theater - is that unlike other places, even many other nice venues, I can do a set and lighting cues, I can put on a real show. I can dress up, wear a tux.

I always ask any of the artists that open up if they know 'Family Tradition', since that's my last song in the set, and if they do, I normally ask them to come on out and take a verse and have fun. When that song is done, I am gone.

plate, nor did Mrs. Bates, who had once wept when we set

Wilder watched Armstrong head back to video village under the lights of the set, attacking another apple as she went, and thought, Apples and women . Not a good history there.

That's the thing about small-town boys. All they had to do was come up with that one shtick, a crack at just the right time, or a Hail Mary touchdown, or nail the part of Romeo in the class play, and they were set. They never had to try again. Here's the thing about small-town girls: we let them get away with it.

Sometimes I work on film sets. I've done this for 40 years. I always wanted to photograph on the set of an Ingmar Bergman film. Unfortunately, I never had the opportunity.

It's fun working on the set... I usually work about 10 and a half hours a day, and I also study about five of those hours. It can be tiring, but it's fun!

It can really vary from movie to movie what the producer's role is and there are all kinds of producers. There are line producers who do a lot of the nuts and bolts work on the set.

And when I'm not working, my agent books three auditions a day...I'd rather go to the set and work.

I try to leave my work at the door when I leave the set. It's almost like summer camp. You go in hard, then you leave, and it's done.

Nothing can teach you what it's like to work on a film set, and the best education there can be for an actor is to walk up the street and observe human nature.

When I'm on set filming 'One Tree Hill,' I get up and work out four to five days a week.