Quotes About Novel

A memoir is not an autobiography. It's a true story told as a novel, using techniques of novelization. The author is allowed to compress events, combine characters, change names, change the sequence of events, just as if he's writing a novel. But it's got to be true.

In 1980, I published my first novel, in the usual swirl of unjustified hope and justified anxiety.

'Two' is not written in the usual style of a novel. It's a straightforward, linear narrative of my times, as I observed partition, and is told through multiple characters.

It is fortunate that molecular synthesis also serves the utilitarian function of producing quantities of rare or novel substances which satisfy human needs, especially with regard to health, and the scientific function of stimulating research and education throughout the whole discipline of chemistry.

If utopian fiction became the new trend, I wouldn't read it.

What surprised me about 'The Casual Vacancy' was not just how good it was, but the particular way in which it was good.

'We Were the Mulvaneys' is perhaps the novel closest to my heart. I think of it as a valentine to a passing way of American life, and to my own particular child - and girlhood in upstate New York. Everyone in the novel is enormously close to me, including Marianne's cat, Muffin, who was in fact my own cat.

Great song lyrics are as valid a part of American literature as any novel.

I'm certainly a plot and character man. Themes, structure, style - they're valid components of a novel and you can't complete the book without them. But I think what propels me as a reader is plot and character.

I've read 'Valley of the Dolls' at least four times. It's so epic!

A novel takes place over time. It's a historical narrative, and it needs to have a series of peaks and valleys and the move through. You can't just start at the highest pitch and stay there, but you can in a lyric poem.

I am obsessed with story. I had a late awakening in life. In college was the first time that I understood what you could do with a story and what a good novel is - literary value and subtext and irony and everything.

IN 1998, TOM WOLFE brought me his proposal for a new novel, A Man in Full. I didn't feel it would be right for us to try to repeat the Bonfire of the Vanities serialization.

the author Leo Tolstoy, who maintained that leaders and generals had minimal influence on the course of history. To make his point, Tolstoy included in his novel War and Peace fictitious accounts of battles in which generals issue orders, but the orders are irrelevant to what is actually happening on the battlefield.

If this were a novel, you'd have to start a new chapter as soon as I appeared.

You've got a face longer than a Dickens novel. What's the problem?

The four opposing forces in any novel are atmosphere, plot, character and pace. But they don't have to be in equilibrium. You can have a book without any plot or pace at all, but it has to make up for it in character and a bit of atmosphere—like The Old Man and the Sea. Most thrillers are plot and pace and nothing else, such as Where Eagles Dare. But it doesn't matter; each to a reader's own—

Es mentira, lo repito, que las novelas sirvan sólo para pasar el rato, para matar el tiempo; al contrario: sirven, de entrada, para hacer vivir el tiempo, para volverlo más intenso y menos trivial, pero sobre todo sirven para cambiar la forma de percepción del mundo del lector; es decir: sirven para cambiar el mundo. La novela necesita ser nueva para decir cosas nuevas; necesita cambiar para cambiarnos: para hacernos como nunca hemos sido.

What happened is the least of it. It's a novel, and once you've finished a novel, what happened in it is of little importance and soon forgotten. What matters are the possibilities and ideas that the novel's imaginary plot communicates to us and infuses us with, a plot that we recall far more vividly than real events and to which we pay far more attention.

There is no Great American Novel," she said absently. "This nation is too big and too diverse to produce only one great book. We've got lots of them and there will be more written in the future. Art doesn't stand still.

Dans un roman tout s'explique, même le plus mystérieux, surtout le plus mystérieux; non seulement il s'éclaire, mais il éclaire tout le reste. Dans la vie de la route, le plus simple reste mystérieux.

Nada ha cambiado y, sin embargo, todo existe de otra manera. No puedo describirlo; es como la Náusea y, sin embargo, es precisamente lo contrario: al fin me sucede otra aventura, y cuando me interrogo veo que me sucedo que yo soy yo y que estoy aquí; soy yo quien hiende la noche; me siento feliz como un héroe de novela.

Everyone assumed it had to be some sort of biography, because if you are a woman and use yourself as a character, it has to be some sort of confessional, whereas if you're a man, you're actually doing some post-modern play on the novel, some critique on identity with lots of references to Foucault.

But for me there is neither Monday nor Sunday: there are days which pass in disorder, and then, sudden lightning like this one. Nothing has changed and yet everything is different. I can't describe it, it's like the Nausea and yet it's just the opposite: at last an adventure happens to me and when I question myself I see that it happens that I am myself and that I am here; I am the one who splits in the night, I am as happy as the hero of a novel.