Quotes About Novel

I don't read Internet comments because I have other things to do, like walk my dog. And I don't really like reading, so if you're going to hate on me, send me a video. I don't have time to read a whole novel about how I'm going to hell.

I don't always write in order, so composing multi-book stories could get complicated.

When I write a novel, I want it to be completely different from a screenplay. I'm very conscious of the difference, and I want novels to work purely as novels. Otherwise I don't see how they'll survive - why don't we just all go to the movies or watch television.

I have survived by representing these sufferings of mine in the form of the novel.

Yes, 'Black Girl/White Girl' might be described as a 'coming-of-age' novel, at least for the survivor Genna. It is also intended as a comment on race relations in America more generally: we are 'roommates' with one another, but how well do we know one another?

I thought I would keep the first name Susan and change the last name but I picked up this book and as I opened it the lead character in it was called Morgan Brittany.

Some readers sort of suspect that you have another book that you didn't publish that has even more information in it. I think that readers sort of want to be taught something. They have this idea that there's a takeaway from a novel rather than just the being there, which I think is the great, great pleasure of reading.

When we write about Auschwitz, we must know that Auschwitz, in a certain sense at least, suspended literature. One can only write a black novel about Auschwitz or - you should excuse the expression - a cheap serial, which begins in Auschwitz and is still not over.

The suspense of a novel is not only in the reader, but in the novelist, who is intensely curious about what will happen to the hero.

So long as you tell a story that falls within the fairly generous boundaries of the suspense novel, you're free to make the novel as good as you can. You're allowed to challenge the reader. You can experiment with voice and style.

'Rainwater' was particularly special because it was a complete departure from the suspense novels. It's set in the Great Depression and based on an incident that occurred when my dad was a boy.

All I've really ever done is write since I was 17, so I don't know anything about anything. For me to do a novel, I have to talk to people who know things. And what keeps me in suspense is that I am a crime aficionado.

I think Jane Austen builds suspense well in a couple of places, but she squanders it, and she gets to the endgame too quickly. So I will be working on those things.

That is what I define as a novel: something that has a beginning, a middle and an end, with characters and a plot that sustain interest from the first sentence to the last. But that is not what I do at all.

The novel is about, for me, sustained and organized looking. I do think that people have a hunger for a sustained engagement, that concentration that the book can offer.

My first job is to write a book that I believe is compelling and deserves the long sustained attention that any novel requires, and to worry about the commerce only late in the game.

I was 12 and read my first romance novel; it was a sweeping desert saga, and I got to the end of it and was like, 'I want to go back and start all over again!' That emotional response to the book and getting to the end of a story you love is what inspires me to write the next book.

Animation is incredibly difficult - much like doing a giant sweeping fantasy novel.

Alice Adams wrote a sweet note to me after my first novel came out when I was 26, and I was so blown away that I sent her a bunch of stamps by return mail. I have no idea what I was thinking. It was a star-struck impulse.

Writing a novel is a huge adventure; when it's going well it's more fun than fun. When it stutters to a halt put it aside. Go for a swim, go for a walk, take a week off. Don't panic or be afraid; you and your characters are in it together. Trust them to come to your rescue.

I quickly realised that it is difficult to get started when writing a novel. You have this dream of what you want to create, but it is like walking around a swimming pool and hesitating to jump in because the water is too cold.

Our developers are constantly thinking about, 'How do I bring new and novel experiences to our platforms?' whether it's the Switch, 3DS, or even a smart device. So that is just part of the way our developers think.

In a novel, my feelings and sense of outrage can find a broader means of expression which would be more symbolic and applicable to many European countries.

I think, in a written novel, the way in which you play with the readers' emotion or the way in which you engage the readers' emotions can be very indirect. You could come at it through irony or comedy, etcetera, and you could capture people's sympathies and feelings kind of by stealth if you like.