Quotes About Novel

My poems tend to have rhetorical structures; what I mean by that is they tend to have a beginning, a middle, and an end. There tends to be an opening, as if you were reading the opening chapter of a novel. They sound like I'm initiating something, or I'm making a move.

When I wrote my first book, 'The Tennis Party', my overriding concern was that I didn't write the autobiographical first novel. I was so, so determined not to write about a 24-year-old journalist. It was going to have male characters, and middle-aged people, so I could say, 'Look, I'm not just writing about my life, I'm a real author.'

It's always tense when you move a character from a book to the screen. Always tense.

I hate this word 'graphic novel.' It is a term publishing houses have created for the bourgeois so they wouldn't be ashamed of buying comics... I'm not a graphic novelist. I am a cartoonist and I make comics and I am very happy about it.

I really hate the term 'historical novel' - it reminds me of bodice-rippers. But I'm hooked on research, and I really, really enjoy it.

Whether you work with a small or corporate press, the important thing is to have realistic expectations in terms of sales, promotion, and the work you have to do as an author promoting your novel.

Every time I write a new novel about something sombre and sobering and terrible I think, 'oh Lord, they're not going to want to go here'. But they do. Readers of fiction read, I think, for a deeper embrace of the world, of reality. And that's brave.

Hemingway is terribly limited. His technique is good for short stories, for people who meet once in a bar very late at night, but do not enter into relations. But not for the novel.

Does the novel have to deepen the psychology of its heroes? Certainly the modern novel does, but the ancient legends did not do the same. Oedipus' psychology was deduced by Aeschylus or Freud, but the character is simply there, fixed in a pure and terribly disquieting state.

I think Dan Brown is a terribly bad writer, but he has cliff-hangers after every chapter which makes you continue reading.

I had never read Upton Sinclair. I didn't read 'The Jungle' in high school or anything like that. But it's pretty terrific writing.

Asking the director of 'The Lord of the Rings' to read my novel was exactly as terrifying as you'd think. I came this close to not doing it because I was so embarrassed. But he was so gracious about it.

I want that which is hilarious and that which is heartbreaking to occupy the same territory in the book because I think they very often occupy the same territory in life, much as we try to separate them.

I've never put Northern Ireland into a novel because it's not my territory. I come from the South, so my imaginative territory is very much the Republic of Ireland rather than the North. Even though, if I wrote a novel about the North, it might sell more.

Being a writer can be a very lonely profession, but having a network of people who can sympathize with everything you're going through - from contract issues to the terror of changing your novel from past- to present-tense - is an invaluable asset.

I've been interested in terrorism from the very beginning. My first novel is about that, too, and I think one reason I've been so interested in terrorism is because I have a deep interest - one of my deepest interests - in image culture and how it works. And terrorism is an epiphenomenon of image culture.

Before I was reading science fiction, I read Hemingway. Farewell to Arms was my first adult novel that said not everything ends well. It was one of those times where reading has meant a great deal to me, in terms of my development - an insight came from that book.

But Moby-Dick is the explanation of America. It's not just a novel. It is a book of prophecy. It is the book. It is the book of America.

Porque si la poesía te transporta al cielo, la novela policiaca te introduce en la vida tal como es, te ensucia las manos y tizna el rostro como el carbón al fogonero de los trenes del sur.

Argentina's like a novel, he said, a lie, or make-believe at best. Buenos Aires is full of crooks and loudmouths, a hellish place, with nothing to recommend it except the women, and some of the writers, but only a few. Ah, but the pampas—the pampas are eternal. A limitless cemetery, that's what they're like.

the novel, arguably the author's best, had a disquieting power, like a sleeping crocodile.

The novel is an imperfect art. It may be the most imperfect of all literary arts. And the more pages you write, the more possibility there is of revealing imperfections...It isn't the same to build a house as it is to build a skyscraper. Often a house is cozier, but to build a skyscraper you have to be very good.

If you do, what will you tell her?" He stared at me bleakly before replying, "The truth. I know it's a novel idea, but I thought that at least one Farseer should try it.

What is the difference between fiction and memoir, really? I mean, isn't there a bit of autobiography in every novel? And isn't there a bit of fiction in every memoir? Memory is elastic, and no two people have the same version of any given event. Our versions of our own lives are necessarily fictional to some degree, wouldn't you agree?