Quotes About Focus

Because some information is better than no information. Life does not give you big, simple answers, Caitlyn. It demands patience, focus, and an open, intelligent mind to gather the pieces of a puzzle and fit them together into a coherent whole. Nothing worth knowing is ever easily learned.

The most successful people I know do their best work under any conditions, for anyone.

Your daughter works hard every day to harness powerful and unpredictable emotions so that she can get on with doing everything else she means to do.

You swim and you keep swimming without a thought in your head because that's what you have to do. And you do the push-ups and you jog and you do all the things beyond exhaustion because you have to. Then one day you'll discover you're in the zone and you don't feel your legs anymore, you don't feel your arms anymore. You exist just as motion. That's the zone. Then you can do anything.

Like any challenge in life, once the mind was focused on the job in question, it became a simple matter of getting on with it, inch by inch, step by step.

lightness come upon her, a sense that there was a centre to everything after all.

Honestly? I think I was bored, Roxy. I think I was bored and I was having problems with my husband, I was filled with anger and resentment, with this low-level rage, and your mum came along with her stories that made my problems pale in comparison and I think it just stopped me focusing on the shit in my own life. That's all it was. A distraction.

All brains are remarkable, but yours is more remarkable than most and I think you should just focus on what tat brain pf yours is capable of and not get hung up on labels and names.

If you're concentrating so damn hard on a piece of mathematics or a musical - a piece of music or a piece of art, the restraint that holds the rest of - the rest of the world back off and vanishes in the rest of your life.

If I'm really rolling with a short story, I work on it everywhere and end up with a finished draft in a couple months, but a novel really demands that I step out of my life and vanish into the world of the book.

I've tried a few times to depart from what I know I can do, and I've failed. I've tried to work outside the studio, but it introduces too many variables that I can't control. I'm really quite narrow, you know.

I want to focus on each scene. I'm a real perfectionist, and I don't want to feel like I didn't consider every possible variation of a scene. I come from a theater background, so I'm used to a lot of repetition, and I'm used to really attacking something over and over and over again.

I never think that I have to be at top every time. Obviously, I have to do well in every game and series; that's what I try to do. I try to improve and work on the swing and variation in my bowling.

If you bowl good yorkers in nets and come up with good variation, it helps your on-field performance.

That business of relaxation, which is so terribly modern today, is all good and well, but my work interests me so much, and is so varied, that many times it seems relaxing when I go from one aspect to another.

That the more authoritarian organizations survive and prevail goes generally unnoticed because people focus on the objectives of organizations, which are many and varied, rather than on their structures, which lend to be similar.

Diverse forms of memory can have a variety of gaps. Thus it is possible for me to represent a past situation to myself and be unable to remember my inner behavior in this situation. As I transfer myself back into this situation, a surrogate for the missing memory comes into focus.

You start off interested in variety and then it's always about bigger fish, bigger fish and I became fairly obsessive, I think, in my late teens and early 20s.

The hardest part of directing is the choosing. Unlike an actor who can do a variety of work, it is a year of your life, you can't afford to get it wrong.

As a director you have to live and breathe that one story for 8 months completely. I like variety, if I write extensively I get a writer's block so I do something else to beat the boredom and then get back to something I've already done.

Any active sportsman has to be very focused; you've got to be in the right frame of mind. If your energy is diverted in various directions, you do not achieve the results. I need to know when to switch on and switch off: and the rest of the things happen around that. Cricket is in the foreground, the rest is in the background.

My job as an editor is to gently prod the attention of the audience to look at various parts of the frame. And that - I do that by manipulating how and where I cut and what succession of images I work with.

It's a big moment, a heart-rate moment. It's all in the preparation for me. Watching the various takers, I can prepare as best I can. I can prepare, too, with my own team-mates - they practise, which, in turn, helps me practise trying to save penalties. I want as much confidence as I can in the preparation and then take it from that.

When I was in high school and college, my other real focus was, actually, fiction writing. So in college, I had done all these seminars with these various writers-in-residence.