Quotes About Focus

In the film industry, all the money is focused on television and the stupidity of American cinema.

I just want to hone in on how I like to fight rather than just keep exploring new styles and new martial arts.

I pretty much focus on all the main styles out there, karate, wrestling, boxing, jiujitsu, just pretty much anything within MMA.

Before we talk about stylish performance, we need to think about winning. That's the most important thing.

I design for the inspiring, stylish women I meet every day. I try not to look around or be distracted by what other people are creating. I make jewelry that I want to keep for years to come and I really love what I do!

We let the show breathe more. We focused on the comedy from a broadcast point. It became more stylized and interactive.

When you go out onto the stage, all the preparation has to be forced into your subconscious. For the moment of the performance, we all have to return to a new level of unconsciousness. All the reflection and all the doubts have to be laid aside before you start.

A lot of problems get solved in those sort of in-between moments when your subconscious has been working on some problem. If you keep it spinning, you can fix ideas sometimes better than if you focus on them directly.

You can't really think about more than one movie at a time. You're thinking about it consciously, and the subconscious is working too, and if you cram too much into your head, you don't get any ideas in the shower.

Only one thing registers on the subconscious mind: repetitive application - practice. What you practice is what you manifest.

Saturate yourself with your subject and the camera will all but take you by the hand.

It's much more difficult to work on a broad subject than on a specific one, because even if it's hard to find the information, if you look hard enough for something specific you will find it, and you will discover things that you wouldn't have thought of before.

The purely agitation attitude is not good enough for a detailed consideration of a subject.

A book should have an intellectual shape and a heft that comes with dealing with a primary subject.

When you're shooting with long lenses, even if you're shooting a close-up, you feel the air, the distance between the camera and the subject.

If you look up every last detail on your subject, you'll never finish.

A publisher should always be on the receiving end. He should take an interest in almost any subject and remain anonymous, letting the author take center stage.

It's a choice - there are two different sorts of photographer: those obsessed with the technicalities and those obsessed by the subject.

I know a little more about Kinsey than I know about sex because that is his subject not mine.

The closer the source of light is to a subject, the broader the beams are.

I consume an enormous number of books, but they're always on a particular subject because I'm obsessive.

The subject matter is so much more important than the photographer.

The focus of subjectivity is a distorting mirror.

But I think you can strip the emotion and the subjectivity away while you focus on doing the science - and that's really important.