Quotes About Tell

I have to tell you, Arty, a screw up this early in the proceedings doesn't exactly fill me with confidence. I hope you're as clever as you keep telling everyone you are." "I never tell anybody exactly how clever I am. They would be too scared...

For you can always tell the gods by their appetite.

What a story this place will tell," she said.

I pretend that I was never in the movies. The only job I had before was selling prawns door to door. That's what I tell myself. My kids have never seen my films. I'm too embarrassed to show them.

One of the main things I do is focus on ideas and what stories we decide to tell, but probably the biggest part of my job I'd say is working on the storyboards.

In each case it depends on the needs of each team, what the club is willing to pay and what the other demands. Then time will tell if a player has been cheap or expensive.

Almost all gamesters learn to control their faces ... The Hand blabs secrets shamelessly.

You should know how terrible a power belief is, especially in the wrong hands -- and how do you tell which hands are wrong? Believe something and the Universe is on its way to being changed. Because you've changed, by believing. Once you've changed, other things start to follow.

All children mythologise their birth. It is a universal trait. You want to know someone? Heart, mind and soul? Ask him to tell you about when he was born. What you get won't be the truth: it will be a story. And nothing is more telling than a story.

If you believe that there's a heaven and hell . . . how much do you have to hate somebody to believe that everlasting life is possible and not tell them that?

It is indeed The Story, and our task is to tell it, to form it, to fashion it—not to "organize" it.

With Westerns you have the landscape is important, and it's empty, and only you populate it. When you populate it, you can tell any kind story that Shakespeare told, you can tell in a Western.

We have far more options for black Americans to tell stories outside of slavery, but whenever it comes to slavery, it's an uncomfortable subject. Why? Because it's the most unresolved subject in American history.

But I like to listen to demos. I like to hear the finished product. It's like listening to a song - I mean, a story. If you're going to sit here and tell me a story, I just like to listen. I don't want to make them up.

I just wanted to tell good stories that helped explain the world to people.

As artists we have an extraordinary and rare privilege to tell the stories of our people, our land, our culture. They grip us, tear us apart, and put us back together. We are our stories.

Let me tell you something about Joe Manganiello - I don't care, dude. The most impressive thing that you have on your cinematography is that you got beat up by Spiderman.

The people say I have to change? Well, the people have to tell me what I should do to change.

I can't predict the future, nor will I. I'm not a fortune teller.

Data, I think, is one of the most powerful mechanisms for telling stories. I take a huge pile of data and I try to get it to tell stories.

Fallon tells me about first starting 'Late Night': how he knew audiences were dubious.

I used to just lose my temper and tell the audience to shut up.

Personality is the one thing we cannot control in our manipulations of Shadow. In fact, it is the means by which we can tell one another from the shadows of ourselves. This is why Flora could not decide about me for so long, back on the Shadow Earth: my new personality was sufficiently different.

Neither knows the other yet. Hence they must tell each other: *This is who I am.* This is narrative bliss, the kind which both fulfills and delays knowledge, in a word, restarts it. In the amorous encounter, I keep rebuilding-- I am *light*