Quotes About Text

I think it comes from really liking literary forms. Poetry is very beautiful, but the space on the page can be as affecting as where the text is. Like when Miles Davis doesn't play, it has a poignancy to it.

You can't do magic with books unless they're very special copies.

Mrs. Cox had also texted him on his birthday to say that

When I contemplate the physical spaces that articulate the letters 'I love you' in a written text, I may be led to think about other spaces, for example the space that lies between 'you' in the text and you in my life.

He finds in them many texts that do not fit into the narrow framework that he has made; and because he too often cares for the framework more than for the truth, he manipulates the text until he can make it fit in, in some dislocated fashion.

Once I start trying out the text, once it appears before me in public characters, I shall be through with innocence.

I look for people who're passionate, dedicated to the text, and in whom I trust completely.

I'm not rigid about directorial changes: I judge them on a case-by-case basis. In the case of a play whose text is widely familiar, I'm open to drastic changes that may alter the author's meaning, perhaps even considerably. If the results don't work, then I say so.

It turns out you can train a neural network on a big body of text. It can be Wikipedia; it can be all the works of Charles Dickens; it could be all of the Internet. They can use grammar and put words together in interesting and convincing ways - and, I think, unexpected and beautiful ways.

Ambiguity, selective retention, and misleading paraphrasal combine to give believers great influence on the meaning of their religion. But, for raw semantic power, none of these tools rivals the deft deployment of metaphor and allegory. In a single stroke, this can obliterate a text's literal meaning and replace it with something radically different.

What makes this particularly remarkable is the link between the object and the text. The poem speaks in the first-person voice of the cross and, in this case, the actual stone cross voices its own story (albeit in carved runes).

Incorrectly, many critics see the target as the text itself, when frequently the parody champions the cause of the religious text. Twain adheres to the genre in order to create a parody of it, frequently making the original the "hero of the parody," in Bakhtin's words. p.5

We're given the springboard of the text, a plane ticket, told to report to Alabama, and there's a group of people all ready to make a film and it's a marvelous life.

The facts of life are to the biographer what the text of a novel is to the critic.

Aha!" He said. "You've found it?" Fia gasped. Larna looked up so fast she nearly dropped her book. "No." He tapped his finger on a rune. "But this rune matches, here." "Oh, goodness." Larna's sturdy frame seemed to droop a little. "Yes, it does." He passed the magnifying glass over the two texts. "Hmm… hmm. Yes, yes indeed. This word is definitely 'the'.

As pinturas, e muito mais tarde, os textos serviram de marcos e de pausas para reflexão, alertas, divertimento e prazer. Ajudaram a clarificar o que deveriam ter sido confrontos confusos com a realidade. Ajudaram a deslindar e a organizar o conhecimento. Proporcionaram um caminho para a compreensão do que significam as coisas.

Repository," he finally says, "you know this word? A resting place. A text—a book—is a resting place for the memories of people who have lived before. A way for the memory to stay fixed after the soul has traveled on.

Repository,'' he finally says, ''you know this word? A resting place. A text - a book - is a resting place for the memories of people who have lived before. A way for the memory to stay fixed after the soul has traveled on.

A text—a book—is a resting place for the memories of people who have lived before. A way for the memory to stay fixed after the soul has traveled on.

Un estilo interesante consiste en una sucesión constante de diminutas, casi indetectables, sorpresas en el texto

The first scholarly edition of Magna Carta was published by the eminent jurist William Blackstone. It was not an easy task. There was no good text available.

In any long string of letters, one can find countless anomalies that will seem like convincing proofs of hidden meaning to the mind that wants to believe that the text is somehow special. Numerological tricks, for example, can demonstrate that William Shakespeare wrote the 'King James Bible.'

'Roots' was a massive responsibility because it is this foundational text in the States and it also resonates fairly strongly with pretty much any black community globally.

The Court has long held that the Constitution protects certain fundamental rights that are not explicitly enumerated in the Constitution's text, while at the same time emphasizing that courts must proceed with great caution in recognizing such rights.