Quotes About Reception

The response that I get from the Lucknow audience is always the best.

The response to my role in 'Aks' has been more than I expected.

I just feel that if people write about a film, then they should also write about audience's response.

I'm not used to getting good reviews.

I often don't read reviews.

I don't read reviews.

I don't read reviews anymore.

When 'Braveheart' came out it got terrible reviews, it didnt last very long in the cinema and didnt make much money.

I don't like to read reviews.

I didn't know if Skynyrd fans were going to throw rocks at me or eggs or what.

What matters is whether the audience likes the film or not. Everything else is secondary.

People tell me, 'It's not on par with Vellimoonga,' after watching my movies.

I love it when people send me body parts.

To understand the reception a religious outlier like Livingston received when he began publishing thoughts that strained the tolerance of more orthodox believers, it is first necessary to consider religious adherence—and the lack thereof—in the English colonies.

Here in the notebooks I've let it out, I've collected all these different words. The ones in the yellow notebook, they found me, they find me still. They are the words that came from beyond, because I was ready to receive them. And then the rest of the words, these words I'm writing now--they don't feel so different, they also come through me. I listen in; I intercept them. I receive these words and send them out again, so they can reach the next person.

Not until Plato's Republic was a type of politician created who would no longer serve as a loudspeaker, but rather as a receiver of quiet ideas – with little success, as we know, as the introduction of the quiet politician is yet to come. It would be a contradiction in terms, for politics, as the art of what is possible in noise, remains assigned to the loud side of the phonotope

Paul said it would be better for them to express their views back in Britain, because "there, people listen a bit more. In America, they hold everything against you.

fast-thinkers ... think in cliches, in the "received ideas" that Flaubert talks about--banal, conventional, common ideas that are received generally. By the time they reach you, these ideas have already been received by everybody else, so reception is never a problem.

That's a big important deal, the way people see you from the stage. Once in a while, I'd ask people, 'How did you enjoy the show?' 'Hey, you looked great.' But how did I sound? That visual look is very important to people.

I have come slowly into possession of such powers as I have. I receive the opinions of my day. I do not conceive them. But I receive them into a vivid mind.

I personally didn't realize people would enjoy my voice, I guess. I'm happy that they do, but I didn't know what to expect.

'Marco Polo' had some negative reactions in the press. Viewers have loved it, and the volume of viewing has been phenomenal.

To my undying shame, I do read reviews. I don't read them all, but I like to get some kind of idea how things are going.

Showbiz works well when you give the audience what they want.