Quotes About Digital

There's social media where people's politics are out there, they're forwarding articles and seem engaged, but it's only online. We tweet and pat ourselves on the back, thinking we have done something, said we're interested, but it needs more work.

I love tweeting.

The cyber threat has evolved dramatically since I left DOJ in 2005, partly just reflecting how much the digital world has itself evolved over that time. Back then, 'tweeting' was something only birds did.

The Internet is especially adept at compressing humanity and making it easy to forget there are people behind tweets, posts, and memes.

One of the annoyances of working for The Guardian is that, obsessed as the organisation is with its digital and social media presence and its own sense of singular importance, editors would militantly try to edit your tweets.

With our blogs and tweets, digital cameras, and unlimited-gigabyte e-mail archives, participation in the online culture now means creating a trail of always present, ever searchable, unforgetting external memories that only grows as one ages.

Most of us still haven't grasped the fact that everything we commit to the digital space - not just our public blogs and broadcast tweets, but every private text message, email, and voicemail is likely to be stored and accessible. Forever.

The future is in photos for social media. More and more people are not reading, so I try to attach a photo to most Tweets.

Corporate tweets are like one robot talking to another.

I get paid to put tweets out sometimes.

I've never had Internet access. Actually, I have looked at things on other people's computers as a bystander. A few times in my life I've opened email accounts, twice actually, but it's something I don't want in my life right now.

I was actually cyberstalked twice.

People will have MP3s of every Miles Davis' record but never think of hearing any of them twice in a row - there's just too much to get through.

If you're a website and you want to get attention, you can Hiterlize anything.

In Los Angeles, sometimes it's hard to find a magazine stand, let alone one that has the magazine that you want. So I find that the longer I live in L.A., the more digitally I consume.

News in printed form is in secular decline. However, news delivered the way consumers want it is growing and thriving.

I think that people will always want music; I think that the form that they will get it in, or distributed to them from, and the price they pay for it is what's up in question.

I don't do emoticons unless I'm making a big deal out of them. I'll type out, 'This is so amusing it makes me want to grin in pixels.' And then do it.

Siri has proven to us that people want to relate to the phone in a different way.

The lnternet is turning economics inside-out. For example, everybody on the internet now wants stuff for free and there are so many free services available.

The digital process gives me total control over how I want the film to look. The films look like they did when I was first looking through the viewfinder.

My mission is to figure out the journalistic model for the digital medium, finding out how we get the right stories readers want, at the right time and wherever they want to read them.

I have big hands. I can't do the touch-screen thing. I'm a button guy. I want to press buttons.

Now that everyone's shooting digital they want the anamorphic to soften the look. You know, to make it more filmic.