Quotes About Digital

The champions of the digital adopt an absurd line of argument (absurd in the sense of Freud's story of the kettle): 1. It is a revolution, an absolute advance. 2. At any rate, we have no choice, the process is irreversible. But it must be one or the other: if it is inevitable, there's no point representing it as an ideal dimension. And if it's destined to win out, there's no point claiming it is best. Any form of irony or offhandedness about one's own ideas is wounding to one's interlocutor.

I think of us as journalists; the medium we work in is blogging.

Chart positions are for people with manbags who get to work at 11 A.M. because they've been at a digital meeting.

It's always fun when you're doing the CGI stuff, to actually get to work with someone who is real, who's there.

This notion of changing technology interests me. I work on a computer now, and it's not been easy to adjust. I still prefer to have my hands on film when I'm editing.

I think artists who are attracted to working on the Net will adjust their work to the capabilities of a very small screen.

Usually I work with a digital camera and compose my works digitally or give them a finish on the computer, in order to make them meet my ideas perfectly.

Today, almost all-current technologies put the speed of light to work.

In digital, you may have your big launch, but then you continue to work, and you continue to innovate and continue to enhance your platforms as you go along.

It sounds a little extreme, but in this day and age, if your work isn't online, it doesn't exist.

Twitter is really a hyper-distilled version of how the internet should work - short bursts of relatively useful information.

You can't throw money at the Internet to make it work - it really is all about the quality of the content.

When I'm doing work online or on the computer, it's one thing. When I want to read, I want to go elsewhere, and I want to be away from the screen.

In terms of how I understand the online world, it doesn't just work in the old-fashioned way. You're not going to see billboards and a bunch of commercials. It's all viral.

My studio is a laptop. Everybody I work with is the same. We make computer music, we're the laptop generation.

Some guys can do digital things where they make some tricks work, but I work on paper and I work with washes. You can't just change things afterwards. You have to get it right on the page.

People don't work in factories, [they aren't] big muscular guys. The working class is flabby because they're sitting in front of a computer all day, but it's still their labor being extracted.

I think digital. I think digital and I was terrified about it for a long time. But I think digital because it gives so much more freedom to work with the actors.

The invisibility of work and workers in the digital age is as consequential as the rise of the assembly line and, later, the service economy.

There are a lot of decisions to make, creatively. Now, with digital, you can really be the author of your own work. From the beginning to the end of the process, you control everything.

Games are work. There are economies popping up in games now because people value them.

The acquisition of Vettery accelerates the development of the Adecco Group's digital strategy, broadening our offering into the fast-growing digital permanent recruitment market and complementing our professional recruitment businesses.

I don't really have a strategy for social media. I think that's my strategy is that I don't have a strategy.

The approach that the music industry took to fight piracy was the wrong strategy.