Quotes About Digital

How do you manage your online identity? It's something I talk about with my students all the time.

Back in the day, I actually studied photography in Florence for a few months, and my photography teacher took away my digital camera and said, 'No, use this - it's analog and it's square.' It was a Holga camera, a very cheap $3 or $4 plastic camera. And that's what inspired 'Instagram'.

I can make everything I do come from my laptop. Even when I go to a big studio, all I do is to plug in my laptops. That's they way I do it.

I've had the luxury of owning my own studio, 24 analogue, 48 digital, endless effects, endless hardcore gear, that I don't have to rent, I don't get stuck with the bills, it's all mine.

Studios are designed to pull out all of that beautiful ambience you get from singing in a room, and then the engineer puts it back in digitally or through whatever machinery you've got.

When I was looking for financing while making 'Hellraiser,' I wish there was a studio like Project Greenlight Digital Studios behind me.

I've seen a study in the last year that digital sound actually induces stress in the listener.

I've been studying the psychology of online connectivity for more than 30 years.

I studied digital arts and graphic design, and then, at the same time I was studying, I was still doing auditions.

I'm studying art and photography, like film and digital - a mix of both.

Illegal downloading, digital cheating, and cutting and pasting other people's stuff may be easy, but that doesn't make those activities right.

Even if the music industry simply gave away all their music people would complain that they don't have the bandwidth to download all the stuff - the problem would merely shift from availability to distribution.

Did you notice what happened when digital photography arrived? Suddenly there were four times as many people on set for a shoot! It used to be a photographer, a couple of photo assistants, stylist and a fashion assistant, hair and make-up and that was about it.

As with sound, images are subjective. You and I may not see the same color red as red, but we will probably agree that the image on the screen is a digital image or film image, based on contrast, bit depth, and refresh rate.

You can get a subjective and highly factual dossier on most anyone in the public realm almost instantly. It's why publishers don't worry about author photos any more; people just Google a person and get on with things.

I'm just an early adopter; I subscribe to more things than normal people and have a high level of inbound and a high level of noise.

I don't subscribe to the idea that everything moves to the network. Theoretically it's possible that everybody will use little hand-held devices to access the Internet, but I expect more of a hybrid environment.

The Internet is a container, not a substance.

The payoff of a customer-centric approach to software and digital product design is substantial and long-lasting for both companies and their customers.

When we launched Hulu, everybody was saying, 'Oh, this is going to be a substitute for pay TV in the living room.'

I've been trying to make this argument that digital comics and print comics are both art, but there are subtle differences.

A lot of the ways of advertising a book - the cover, whether somebody sees it on a subway or sees it in a bookstore - those things are going to rapidly diminish as we move to an electronic model.

viral aesthetics and guerrilla marketing

But every time our ability to access information and to communicate it to others is improved, in some sense we have achieved an increase over natural intelligence.