Quotes About Media

The mainstream is not the mainstream anymore. We're a lot more niched in our media.

It's hard for our sport to pass into the mainstream, to make it onto 'SportsCenter.'

So much of the mainstream media has taught us what beauty is, but everyone is beautiful.

I'm saying that there's way more to 9/11 than mainstream media and our government have told us.

In terms of mainstream media it's very difficult to break through if you're on the left.

People will write whatever they want and make up whatever they want anyway.

There are loads of novels that I really love, like Haruki Murakami's books, and when I read them, I do think about how they would work as an anime. But I do believe that those are great books because they work best as novels, or great manga work best in that form.

I was a sitting judge in Manhattan. I was a supervising judge in Manhattan, and they said to me, 'Did you ever think of doing what you do on television?'

Trump is a maniac.

You have to fight to get your show not only on the air but then to keep it what it is and make sure that it doesn't get manipulated into something else.

Media seems to be obsessed with this idea of everybody marching to the same beat.

We don't put a dollar toward marketing or advertising. I think we're more efficient than Facebook.

They're not TV shows. They're experiments in how to create attention deficit disorders in the entire population with endless commercials and ads that pop up right in the middle of programs.

What intrigued me most was how one can get away with such a big lie. The answer is you have to dominate all the large megaphones of the culture, from academia to the movies to the major media.

With this cultural arsenal at their disposal, big liars can spin out falsehoods with the confidence that no one else has a large enough megaphone to challenge them. They can have their lies taught in classrooms, made into movies and TV shows, and reported in the everyday media as the unvarnished truth. This is how big lies come to be widely believed, sometimes even by the people who are being lied about.

Nearly seventy Democratic lawmakers refused to attend Trump's inauguration, an unprecedented violation of democratic etiquette that would have provoked massive media outrage had Republicans done it to, say, Bill Clinton or Barack Obama.

The progressive media scarcely covered the Haitian protest. Somehow the idea of Haitian black people calling out the Clintons as aid money thieves did not appeal to the grand pooh-bahs at CBS News, the New York Times, and NPR.

So progressives have been working hard to come up with lies that can be passed off as facts. Progressives have a whole cultural contingent—Hollywood, the mainline media, the elite universities, even professional comedians—to peddle their propaganda. From the television show Madame Secretary to the front page of the New York Times to nightly quips by Stephen Colbert, the progressive bilge comes at us continually and relentlessly.

Progressives have a whole cultural contingent—Hollywood, the mainline media, the elite universities, even professional comedians—to peddle their propaganda. From the television show Madame Secretary to the front page of the New York Times to nightly quips by Stephen Colbert, the progressive bilge comes at us continually and relentlessly.

The cover-up is the work of progressives in education and the media. The progressives are part of the Democratic team; they are, in fact, the ideologues of the party. They have been given a very specific assignment: to bury the truth and spin a lie to sell their team's political merchandise. This they have assiduously and effectively carried out. Progressives can be counted on to respond with outrage to this book, not because what I say is false, but rather because it is true.

The progressive media is not comfortable with a female black abolitionist representing the Republican Party while a white male slave owner represents the Democratic Party.

There's the life and there's the consumer event. Everything around us tends to channel our lives toward some final reality in print or on film. Two lovers quarrel in the back of a taxi and a question becomes implicit in the event. Who will write the book and who will play the lovers in the movie? Everything seeks its own heightened version.

Off-camera lives are unverifiable.

The whole country's going to puke blood when they read it.