Quotes About Role

At the end of the day, if you are an actor, you definitely know that you're just work-for-hire.

India is once again ready to play the role of 'Vishvaguru' and work towards the benefit of mankind.

It can really vary from movie to movie what the producer's role is and there are all kinds of producers. There are line producers who do a lot of the nuts and bolts work on the set.

I don't really think it matters if you go into stage or TV as long as you do a bit of character work, really.

Sometimes you choose the wrong actor, he could be the best actor ever, but hes not cast in the right part then it doesnt work.

The actor's role in the community is quite unlike anyone else's. Businessmen, for example, don't take their clothes off or cry in front of strangers in the course of their work. Actors do.

I think it's always good when you're able to, as an actor, allow your work to be some kind of a conduit for social discourse, and an examination of where we are, as a society.

At home I am a man, at work I am a machine.

In every role that I do - whether I'm a teacher, actor or mentor - I do it with total dedication and as much honesty as I feel is required because there's no alternative to honesty and hard work.

I am not too keen to do movies, as I don't have time to waste on struggling for a role in a film.

There's a wonderful adage in acting that you're stuck with the character, but the character is also stuck with you.

I am not chocolate and definitely not a boy. I am a man, and I have no clue how this image has stuck to me despite all these years. I think, maybe, in spite of trying to shell off my chocolate boy image, love stories excite me, and somehow I land up in such roles.

After 'Student Of The Year,' when I played that baby-doll, diva character, I knew I would be stereotyped, and I wanted to break that image of me. I loved that role, but I don't want to be attached to one particular genre, so 'Highway' was a blessing in disguise.

During 'Manchurian Candidate' - that role originated with Laurence Harvey, and I studied everything he did. I would never be able to reproduce that performance, but I got a lot of ideas from watching it.

One of these days in the next 10 years, I will play 'Evita.' I don't know when or where, but I love 'Evita', especially with all my Latin and Spanish studies. It's a very demanding role but I'd love to play it.

There's still a role for the Association for Israel Studies. But not as the endpoint of scholarship and not as a fortress to defend Israel.

I will certainly continue in football in a different role. I will continue with my contractual, publicity and managerial commitments and finish my studies for coaching.

The role of a modern studio chief is much different to how the old studio chiefs used to operate. It's not so much a position of power anymore, but a position of influence.

In the contract days, the big studios groomed us to play particular roles and we would stay with the image they gave us and insisted on.

I'm so fascinated with the study of people and why they are the way they are. That's my research and my archaeology, if you will, when I get a role. I'm so excited to attack a part from every angle of what makes a person a person.

I was studying at the Royal Academy of Arts, and I was playing the role of Dr. Ivan Chebutikin in Chekov's 'Three Sisters.' I was about 50 years too young for the part.

I played a doctor on 'Counterpart', so that was about studying and watching documentaries and reading and trying to learn.

If you really get into a particular character, you also want to do your own stunts.

I'm kind of hard to double, but I did have one guy for a while as my double. I kind of like to do my own stunts, though, because it's just the overall experience. Sometimes you have to step aside when the stuff gets really dangerous, but I feel like sometimes you have to do your own stunts to make the role seem real.