Quotes About Role

I won't play a teenager.

I knew I wanted to be a journalist ever since I was a teenager. While it is interesting and gratifying to be on the business side and to see how that all works, the main reason I kept a business role here was to protect the editorial integrity of Salon.

It's really rare as a teenager to be offered a role that actually resembles what it's like to be a teenager, because there are so many stereotypes that might be attractive to watch, but make you think: 'Who is that? Who has that life at 16?'

As an adult, you think of yourself as being someone else when you're away from your family, but when you come back to your family, you suddenly find yourself back in the exact same role that you always had in your family as a child and as a teenager.

I would not openly categorize myself as a sullen teenager, but that kind of role comes more easier to me than a bright, perky thing.

I don't understand the actor who plays the same role from movie to movie. Maybe it's because I worked on long-running television when I was in my teens, and so the idea of playing the same role just bores me intensely. I'd rather not do it at all.

I'm not a straight man, but I play one on television.

My first ever-ever professional role was in a television show in England called 'Love Soup.' It starred Tamsin Greig. I just played a small role - I think officially my role was 'teenage boy' - it was one episode.

Playing a positive role on a network television show, it was great. I took it as a responsibility. Poncherello was supposed to be Poncherelli, and then when I got this part I said, 'You know what, this guy isn't going to be Italian-American, he's gonna be Hispanic American.' And they went with it.

I tell my students, if you ever become comfortable with your role as criminal defense lawyer, it's time to quit. It should be a constant source of discomfort, because you're dealing with incredible moral ambiguity, and you've been cast into a role which is not enviable.

I had an audition for Mary Jane Watson in 'Spiderman' and ended up playing Betty Brant in that series. I auditioned for Amy Adams' role in 'Catch Me If You Can' and, you know, ended up playing the bank teller. So there were a lot of times early on where I felt like I was always sort of the bridesmaid, never the bride - never quite right.

My little cousin tells me I look like Magneto so I guess that's who I should probably play.

Because Buffy really has become the straight man, every once in a while it's nice to be the one that tells the joke and it's nice to be the one that is the joke and it's nice to do something that's a little bit different.

Going after a part in Hollywood is like being a gladiator in ancient Rome. When it comes down to getting a role, you don't have any friends, you're incredibly competitive and any actor who tells you different is lying.

When I choose a role, I look for that spark that tells me it's going to work. Is the role fresh? What does it have for the actor in me? Those are the only things any actor should be concerned about, really.

My team or I didn't enjoy any administrative authority in the creative role play for the Telugu version of 'Queen.'

'Bad Girl,' the Mollywood flick to be helmed by filmmaker Shajiyem wherein I essay the role of a super model, will be released simultaneously in Tamil, Telugu, Malayalam and Hindi.

I got a temper. But part of my role is to steady the ship. That's just to try to control your emotions.

When you see a singer on stage who is 100% committed to the personality, character and temperament of the role being sung, it's truly awesome and very powerful.

I doubt if the public thought of me as Christ when they next saw me as Temple Houston on television.

Movies always are open to being remade because times change so much, and the tempo of movies changes. I think of it like a James Bond. They can have different actors play the same role... I've had people come up to me and say, 'We want to remake 'The Jerk' with so and so.' And I say, 'Fine.' It just doesn't bother me. It's an honor actually.

It's like kids playing house: 'You play the father, I'll play the mother.' You know, you dress up, you play, they pay, you go home. It's a game - acting's a game.

Koopmans pointed out, traditional economic approaches fail to examine the role of public beliefs in major economic events—that is, narrative. By incorporating an understanding of popular narratives into their explanations of economic events, economists will become more sensitive to such influences when they forecast the future.

Today's television sitcoms...the father is typically depicted as a clumsy buffoon, an inane and even unnecessary appendage. In creating that caricature, producers and directors have done irreparable damage to the God-ordained image of what may be one of the most significant roles and offices in eternity - that of a father, that of a real man.