Quotes About Acting

Acting is a way to escape who you are for a short period of time. It doesn't happen all the time , but every now and then, the sensation of being 'other' is very profound. You get this moment where you are no longer yourself. You lose consciousness of the crew or the audience... it's a thrilling moment. And even quite spiritual.

Part of the reason why I love acting is that you do hope that somehow your work will connect to people and somehow expand their consciousness somewhat, and being able to challenge notions of prejudice through work - through my work - is really thrilling.

That's what I always enjoyed about acting, the real adrenalin rush. My heart - still before I go on stage - crashing out of my chest. That's thrilling to me.

Playing Mark Antony in Julius Caesar was the most thrilling thing I've done. You get these speeches that were written for men, and you're running around like an action hero, climbing scaffolding and beating people up. It was very freeing.

I didn't want to teach. I wanted to act. It was quite a long and difficult road to get there but very thrilling when I did.

Acting always affects every part of your life because it's such a solitary, lonely, and thrilling circumstance that you're taking on someone else's character and that responsibility. It's exhausting.

I was really excited when films like 'Kaala Paani,' 'Maachis,' 'Chandni Bar' and others came my way. The sheer fact that I would get to portray various emotions was thrilling.

Anchoring or doing anything live is thrilling. But acting and playing different characters is also amazing.

I know a lot of people who thrive on self-tapes, but for me, it does come down to first impressions. I like to be in the room, I like to talk to the people I'm acting with.

You really have to act your pants off to stay alive. I thrive on that; I rise to the occasion of the circumstances.

I couldn't be 'Johnny' in front of a camera in acting jobs and behind the camera I like to be 'Michael.' With directing, you can't do it by halves. There's a lot of reflection, and I have found that I, as 'Michael,' thrive on it. It's lovely coming home and feeling that stuff from a day's work as myself.

I am a super social person. I'm an only child, so I thrive on social settings and being around my friends because I make them my siblings. When I'm not acting or singing or working on anything, I am making new relationships with people because, to me, my friendships are very important.

I've enjoyed the process of understanding who I am through my work and who I am in relation to others: the intense collaboration that acting requires and thrives in.

Sometimes a role might be difficult on my throat.

I did a play called Throne of Straw when I was 11, at the Odyssey Theatre in Los Angeles. It became really clear to me at that point that I enjoyed acting more than any other experience I was having.

For me, when I'm making a movie I like to stay in character throughout the day.

God, I love John Cassavetes. Throughout my acting career and continuing to be an actor and grow, I think there have been so many outstanding actresses, and I hope I can live up to the things they created and continue that on. I think Gina Rowlands is an amazing actress.

I hope to do multiple characters throughout my life that are separate from me. I think it's a cop-out if you play yourself in everything.

Throughout my career, I was to be cast as a frontier girl, an aristocrat, an Arabian, a Eurasian, a Polynesian, and a Chinese.

I've grown up seeing the pros and cons but I love it and I've always wanted to act. Throughout all the rejections at auditions, and especially when I finally did get something, both my parents have been so supportive and always told me it is all about passion and, if I was doing it because I love it, there's no wrong choice.

Running has been great for keeping me fit throughout my acting career.

I hope to land roles where my presence is carried on throughout the film. I'm looking forward to taking on a role with a complicated backstory and yet someone who refuses to lose sight of hope. I know that it will happen someday.

My mentor Jon Simmons introduced me to the Stanislavski system, which is so heavy on back-story. So you write and write and write these back stories about a character and then you throw it away. So then on set, if it doesn't come, then you didn't do your work.

Juan Hernandez was an actor out of New York, but what made Juan so great and what made Omar so great was that they both already knew how to box, so we didn't have to take them into a gym and teach them how to throw a left jab.