Quotes About Acting

Education is the power to think clearly, the power to act well in the world's work, and the power to appreciate life.

I didn't really work with Vin on it except we talked about it a little bit. I think it was kind of cool because we didn't think it was going to be that emotional. I don't think Vin knew I was going to be that emotional.

Now I just act like I don't remember; Mary acts like she don't care.

I've learned to think in terms of having a long career. Actors can have very long careers that last until the day we die, but there will be moments when you'll feel like you're a failure or when you're disappointed in yourself.

She was, in fact, Katharine Hepburn, playing a store clerk in the first reel of a smart comedy

I batted my eyelashes and did my best to appear dumb as a board

I'll have you know that as a young man, I spent an entire year as a woman in a world tour of 'As You Like It.' I played Celia.

I was a musician and did moderately well at that. I made an enjoyable living as a very young man, but I think as I became more comfortable and knowledgeable about myself and what I wanted, I moved into acting. I came to it rather late - later than most. I just really wanted to try my hand, and thankfully, it worked out for the most part.

Jekyll is quite me: young man; polite. But being able to play Hyde was quite fun, to create a character that's nothing like me. I quite enjoyed creating a new character like that: he had a different voice; physicality; mannerisms. Everything had to be thought about. It was a real challenge.

People want to see me as a posh square, so I'll play an East End drag queen or a young man with a cleft palate.

A leading role as a POC young man in a series on Netflix - to me personally it's more important than just getting a job.

Fortunately, I never had to do the waiter thing. When I got out of college, I immediately started to teach acting. One of the first jobs I had was in a federally-funded program where I taught drama to young people.

My advice to young people who want to act is just to do it as much as you can! Find friends who also want to do it and have readings of great plays in your apartment. You don't have to wait for someone else to tell you that you can do it. You can be getting better on your own all the time.

With young people, it's how brassy and flashy can you be. But you get a bit older, it's about how restrained can you be. You have to feel it all, think it all, but you don't have to play it - it's just gotta be there, and if the story's good and the script's good, people will see it.

I think I read films having grown up around the pre-production and post-production aspect of the filmmaking medium, a lot more than most young people who are in acting would have experienced. I do think about scripts in a different way. I can't just read a script as an actor. I don't know how to do that.

I don't think of it at the moment, but the roles that interest me are those of young people.

Every film by Will Smith, Harry Belafonte, Sidney Poitier, Lena Horne, Ruby Dee, Don Cheadle will have great acting and carry good messages in the film. The films starring those actors are the films I tell young people to watch for good acting and to view for quality movies.

When I was brought up in Sweden, there was a great opportunity for young people to learn how to act in our municipal theaters with their small companies. You would be under contract for eight months and have the summer free to take other opportunities.

I don't have a burning desire to act, strangely enough. I don't know that if I hadn't been an actor as a young person, I don't know that I ever would have chosen this because it's not really my personality.

When you first are in front of the camera as a young person, you'd be surprised at all the insecurities you can get.

Acting's an odd profession for a young person; it's so extreme. You work, and the conditions are tough and the process is so immersive, and then it stops, and then there's nothing. So you have to find ways of making you feel productive when you're not actually producing anything. For a young person, that's really challenging.

I could be pretty volatile, especially when I didn't feel understood, which was 99 percent of the time. I do think that, as a young person, I suffered over that. But as I look back, it doesn't even feel like part of me - except when I act and need those emotions. Then I can dredge it up.

Soap operas are such a great way to break-in to the industry. The diminishing landscape of daytime TV means it's going to be harder for young talent to get discovered.

Now supposing I had the part of a young woman to give out, one that wanted some excellent acting. If I were to go to the stage for my actress I would have to take a matured woman, one who would act splendidly, but who would look too old for the requirements.