Quotes About Acting

I think playing somebody who's schizophrenic is such a lesson as an actor. It gets you totally out of your comfort zone, because you can't rely on your technique, your external stuff. You've really gotta look inward, in a way.

There is so much to learn that I find the entire debate that Pakistani actors shouldn't work elsewhere senseless. By working in other countries, we're able to move out of our comfort zones, learn more, and bring that back to our own industry.

A role needs a certain tone, so your own tone also changes. It's not like I lock myself up in a room to get into the zone. It is based on what I am feeling, because the minute you try too much, weird things happen. Of course, for an intense role you need some silence, and you need to do a lot of thinking.

When I finished 'Cocktail,' it took me a very long time to get out of Veronica's mindspace, behaviour, and zone. I had to reconnect with who I am. It is a similar story with 'Bajirao Mastani.' Some films demand that.

I try to be fussy about the parts I play. I think that's quite prudent, it means you're stretching different muscles, and you're scaring yourself by doing something which is out of your comfort zone.

I'm looking forward to, as an actor, having to do some stuff that's out of my comfort zone. It makes for interesting work and when you're uncomfortable doing something; then it's going to be interesting when they film it.

For an actor to grow, she needs to play roles that put her out of her comfort zone.

I was very hesitant about doing a period film. It was very much out of my comfort zone; I'd never done anything like that before.

In Bombay people know me as a Rituparno Ghosh actor but Calcutta gives me the comfort zone and that's why I love shooting here. In Bombay, the money is bigger, the stakes are bigger.

When I decided to become an actor, I realised that every role that we play on screen requires a different kind of prep. I learnt wrestling for 'Dangal,' went through an emotional grind for 'Photograph' and stepped out of my comfort zone and shed too many inhibitions for 'Pataakha.'

I love acting and would love to do it more. It's harder to go into acting as a model now than it ever was because so many models are doing the same thing. I want to do anything that's challenging and not within my comfort zone, and a Bond girl is so different to who I am.

One of my main techniques for acting is I try to know almost nothing beyond the words that I have to say, because that's my zone of control.

I've had varying luck with comedy in the past, but I'd really like to give that another go. I don't know if I'd chase down a part, but if the right thing came along I could certainly see myself stepping into that zone.

In 'Brothers,' I am going into a zone that is something that I have not done. It's a very simple and desi character. It's also a character that I think a lot of people would not have expected me to do.

I think it's so important when you're playing a character that you can't judge the person you're playing at all. It's a judgment-free zone. You have to just go for it.

It sometimes happens that you come out of a scene, and you don't even know what happened. It's like you're in the zone.

I have to finish 'Behen Hogi Terim' and then get right into that zone to seriously start preparing for it. It is a huge responsibility to play Netaji.

Honestly, a lot of the time, I'm like, 'Oh, my god, I've got so many lines to learn,' that I have to focus and get in into a bit of a zone, but there are always moments to have some fun.

It's quite a layered character that I portray in 'Jalebi' and I needed to deviate and cut-off completely from the world to get into a different zone as a character. I'm really glad it proved beneficial and worked to my advantage.

'Begum Jaan' was such a very different zone for me. After the filming was complete, I got immersed in voice modulation. I had to shout my lungs out into the microphone and then dub for it to get that hoarseness in my voice.

Comedians are the monkeys of acting. When you go to the zoo, everybody loves the monkey exhibit.

As an actor, to go and see those shows - great plays like 'Who's Afraid of Virginia Woolf?' and Clifford Odets's 'Golden Boy' - it's so exhilarating. I'd personally love to perform the role of Jerry in Edward Albee's 'The Zoo Story.' He's a transient, lost soul, and an example of humanity at its rawest.

When I was in college, the first thing we did in acting class was to observe an animal at the zoo and become that animal. So I picked a wallaby.

Acting is a question of absorbing other people's personalities and adding some of your own experience.