Quotes About Rossini

I have been listening to the cats in the courtyard. They are all singing Rossini. It is obvious that cats have declined as badly as composers. Domenico Scarlatti owned one which would actually stroll across the keyboard and pick out passable subjects for fugue. But that was a Spanish cat of the Enlightenment. It appreciated counterpoint. Nowadays all cats appreciate are coloratura. Like the rest of the Public.

Wagner has lovely moments but awful quarters of an hour.

The terms that Sforza Cesarini offered Rossini, 400 Roman Scudi, were not ungenerous, though it must have been galling for Rossini to see the Figaro, Luigi Zamboni, getting almost twice as much, and the Almaviva, Manuel Garcia, being offered three times the amount. Of the first-night cast, only the 'altro buffo', Bartolomeo Botticelli, who played Bartolo, and the 'seconda donna', Elisabetta Lowselet, who played Berta, were paid less than the composer.

The (extremely lavish set) was created by a transparency, a fine gauze, finely painted. According to the theatre accounts, it cost 241 ducats, 91 ducats more than Rossini was paid for the music.

Wagner thought Rossini unserious; Rossini thought Wagner 'lacked sun'. Wagner also became the butt of a phrase Rossini had used down the years to describe musicians about whom he had certain reservations - "He has some beautiful moments but some bad quarters of an hour!

On the Overture of the Rossini opera "Il SIgnor Bruschino" - The sound of the second violins striking the backs of their bows against the metal candle holders shortly after the start of the overture was judged 'incomprehensible' by the Giornale. Rossini feared as much. 'Dio ti salvi l'anima' (God save your soul), he wrote on the manuscript at the end of the overture).

Wolfgang Amadeus Mozart is the only musician who had as much knowledge asgenius, and as much genius as knowledge.

Mr. Rossini had about twelve different kinds of sublime and about 150 kinds of ridiculous.

I concentrated on Rossini when I began, and I never really felt any competition. I sang in the best houses, and I believed I was always a first choice. I was lucky in a way - I never felt there was someone else who was getting the roles in another theatre and that we were competing.

When the phone rang I was in the kitchen, boiling a potful of spaghetti and whistling along with an FM broadcast of the overture to Rossini's 'The Thieving Magpie,' which has to be the perfect music for cooking pasta.

The songs of Bizet are by a French peer of Rossini. When Rossini stopped composing, he was living in Paris. He also wrote some beautiful songs in French.

It's a dream come true, and with this music, with this Rossini, it's unbelievable how to express the joy and express the joy of the situation and the joy to play this music, to sing this music, it's really fantastic.

If he had been able to, Barbaja would have put me in charge of the kitchen as well' (Rossini on his impresario

I'm from Italy, the home of Vivaldi, Rossini, Puccini. When I stopped playing and became a manager, football became like a beautiful piece of music to me - and the players, an orchestra.