Quotes About Dedication

I loved being asked 2,000 questions a day, storyboarding every move, knowing as though by instinct exactly where the camera had to be, because it was my story.

When Liverpool came in, it was one of those situations that I just wanted to get up the M6 as quick as possible, sign on the dotted line, and get to work.

Things are moving pretty quick, and of course, the whole focus is training and getting ready and being able to prepare to be on the world's stage and hopefully do the United States proud.

Working with animals forces an actor to work harder because you have to be quick when it comes to improvisation, and you can't break character - at all.

I think the main thing was me having a daughter. I just knew that I had to be a man, so I grew up real quick. Then I started caring about my music more, and I feel like that was the main change between 'Killer Instinct' and 'TRAPSOUL'. I was just like, 'I need to take this more serious and watch the things I say'.

I was very quick; I did nothing but play the piano apart from being at school. I was at home with my mother, saying, 'Go out and get some fresh air.' No, I wanted to play the piano all the time I could. I was completely obsessed.

Nothing is ever quick. You have to grow an audience, keep them engaged, give them a reason to keep coming back so it will never be an overnight success. Have patience!

I've always been pretty quick for my whole career.

Sometimes albums can be quick, sometimes they take forever, and we're very good at taking forever.

Besides shooting, I think I need to work on everything. I need to get stronger, quicker, work on my ballhandling, and develop a go-to move.

I love playing hockey and I want to be out there as quickly as possible.

I don't write all the time. But if I'm writing something, I'll just bang into it every day until it's finished. I write pretty quickly.

There are actors who spend 20 years working and still don't achieve what I've achieved so quickly. So I think my only course of action is to work as hard as I can, not just for the sake of the film, but also to prove to these people that I do have talent.

I don't shoot movies quickly because I get a lot of coverage and a lot of angles, so we have all the pieces in the editing. I do a lot of takes, but it's because I'm looking for something.

Having a crying baby is inspiration to get the job done quickly.

From the very beginning, when you go into Scientology your world narrows down very quickly.

It was always a point in the offseasons of developing quickness and then also being able to maintain it based on all the different cuts that you do.

When I left school, I got a job in a shoe shop and I used to save 15 quid a week and pay for my own singing and acting lessons.

We're trying to get the SEAL community back to where we think it should be - quiet professionalism.

I like the quiet it takes to pursue an idea the way I pursued 'Hamilton,' but I couldn't write a book, because there's no applause at the end of writing a book.

The Phil Spector that I would meet has always been a nice, quiet, little guy who's very serious about his work; obviously you can tell that because each and everything he's ever done has always been charted.

I write anywhere - when I have an idea, it's hard not to write. I used to be kind of precious about where I wrote. Everything had to be quiet and I couldn't be disturbed; it really filled my day.

It is the passion inside me that means I keep going. I love what I do, and I think I am lucky to do it. When I am riding a quiet country road, I hear the birds singing and think, 'I am in my office now.'

My quiet place is in the gym. When I feel like going to church, it's for me the MSG training facility and working on my game.