Quotes About Dedication

Joanne' is a progression for me. It was about going into the studio and forgetting that I was famous.

There was absolutely no intention of splitting up. We had so many great ideas to use on the new album. John Paul Jones was incredible, coming to the studio each day with new instruments to play.

I can't just go into the studio with one idea and be all in on that, 100 percent. It takes me a while to arrive at something that feels like it's finished.

I would also like to act, once in a while, but not get up every morning at 5:30 or six o'clock and pound into the studio and get home at 7:30 or eight o'clock at night, or act over and over and over every night on Broadway, either.

Sometimes I hear a drum groove in my head and I rush down to my studio.

I told them if were going to do it were going to do it right, I'm not leaving 'til it's done. My wife, child and I slept in the studio. We cut these raw.

Johnny was great in the studio; he was there to make the music that he wanted to make. We lived right beside each other and had a rehearsal studio that was just ours, with nobody else using it, it was part of Johnny's house, so we could rehearse every day.

I want to make 20, 30, 50 studio records.

My first show sold within the first 3 minutes, and I came back to the studio and spent the next two and a half years making almost nothing.

Just when I think I hate fashion, I hate clothes, I'm seized by this crazy thing that I have to do. I have this little studio now where I just draw. I can be in the room for three days and not even look up.

I have only one loyalty - to my writing. I never wanted to be the head of a studio or a producer.

For me it was perfect, because it wasn't a very competitive environment, and it was a studio program. They basically send you off, and say, bring us some work, and we'll help you improve it. It really rewarded self-discipline.

When I get in the studio the idea is just to work and bang out as many as I can.

I am always locked in my design studio.

I'm always working. If I'm not in my studio I become quite nervous.

I acted in theater and I took film classes when I was 12 and just obsessed over it. I loved it and spent hours and hours in the film studio learning and watching.

I just want to be in the studio. When you've got all the gear you want in your own house, it's difficult to go out and do something else, you know?

I'm never happier than when I'm not working. The strip is a job - that's why I take money for it. It's a job I'm passionate about, but it's a job I totally leave in the studio when I walk out of here, unless I'm late and I have to work at home. I never think of the strip unless I'm compelled to.

I got FL studios; I looked up how to make beats and how to record myself, and then I just started making music from there.

It's expensive to get studio space and dancers. My whole first three years, I was sneaking around in the studios and getting kicked out of them. It was kind of depressing.

When I was working on the music of 'Jaan-E-Mann' and 'Umrao Jaan,' my father was hospitalised. I had to shuttle between hospital and studios.

I get the music, I get the beats. And I go to the studios and write the lyrics.

I used almost every penny I ever made to build recording studios in every city I lived in. I don't have much to show for all the TV money except a lot of musical gear and a lot of songs.

I was recently realizing that I've probably spent 80 percent of my life in studios! It's very difficult to do that and still have a private life; it's very difficult to do anything else.