Quotes About Dedication

We all liked the Descendants and stuff like that, so we started playing it. It's not that it was really hard, well, it does take skill to play fast and keep up your stamina. But it was something that just happened.

With the solo stuff, it's like starting over from scratch. It's rolling up your sleeves and getting down to work.

I'm not of the manor born; I've never felt entitled in that way. I just came to Hollywood to be an actor. All that lifestyle stuff is something to be managed.

I was a good student and stuff like that.

When I'm away from the field, I show a little more emotion and stuff.

I don't even know how much money I've spent on all of this stuff... Just in plates and bars alone, it's literally a ridiculous amount of money I've spent on those. And to me it doesn't matter. It's money that I've gladly spent.

It's rare when you stumble upon this amazing melody. We'd love to make a 'Let Me Love You' every time we go into the studio, but it's definitely a special one.

The art of songwriting is just stumbling your way to something really special, and you don't know what you're going to write until you are writing it. There is no formula. And, sometimes, you really have to work at it and hunker down.

I don't believe in the philosophy of stumbling across hit records.

I was blown away by the amazing atmosphere at Moshions's studio. The amount of work, love and dedication that went into the bespoke clothes felt so personal. It was stunning.

Preparing for a stunt is like training for a sporting event.

If the shot is going to be epic, if it's going to be awesome, and to make it epic and awesome you have to hit the ground and possibly hurt yourself, I choose to hit the ground and possibly hurt myself. Because in my silly stunt man mind, an epic shot that lives forever on film, I'll get over it in a couple of months!

There were a number of people who helped me get there, and the one I always mention is Michael Byrne, the great master swordsman and brilliant stunt double.

But I loved doing the physical stuff for 'Dredd.' I have to give a shout-out to the stunt team that I worked with.

I have a chef come in every day and prepare my meals. There is no way I could do the stunt work, stay up as late as I have to, or be outside in the heat if I'm eating poorly. That means I can't eat craft services!

I will do anything, and I do almost everything myself. But when there is something extra heinous to do, I have a great stunt double, Eddie Davenport, and a great stunt coordinator, Jeff Wolfe.

To me, music is not a stunt. Music is not a joke. I take every lick of music that I've ever played very serious.

I worked every day. I never turned down a stunt.

Even if an actor might not nail the moves in a way than a stunt person might, I wanted to bring the character of 'Hanna' into everything that she did.

Broadway was life-changing because it pushes you mentally, physically, emotionally - every way that you can be pushed. It makes you feel like there's nothing you can't do. It's like doing your own stunts.

I like the fact that I can do stunts, but I don't think of myself as a stunt guy. Those guys are really good at what they do.

It's our job to get into the hardest-to-see places and bring back the best footage - we have the best footage of North Korea ever shot. If that's a stunt, then I'll keep on doing stunts until I die.

I've always done a lot of stunts in the past, and I sound like I'm tooting my own horn here, but I've always impressed the people I've worked with, and they've let me do more and more.

If you really get into a particular character, you also want to do your own stunts.