Quotes About Commitment

I always loved and secretly wanted to do 'Company.' It was produced on Broadway in 1970, and it's about a successful 35-year-old guy who's starting to think he should get married.

If you really want to be a music producer, stop watching 'Friends' when you get home from school. Start trying to make music. If you're not going to try, then it's impossible. When you try, it's always possible.

I've been accused of being unambitious, but what I do takes up every minute. I'm executive producer, I'm a writer and the host.

When I'm hired just to be an actress, I don't have to worry about anything else but showing up on set, making sure I know my lines and making sure I know what I'm bringing to the character. When I'm a creator and executive producer, I have to worry about the whole thing.

I would always rather be working on the band. All that other stuff is stuff I really enjoy doing, but I don't consider it... like, I don't want to be a producer. I don't consider that as my life's goal.

It took 17 years to get 'Rambling Rose' made from the time Calder Willingham wrote the script adapted from his novel. Ed Scherick, the producer, was interested in it. Martha Coolidge was interested in directing it.

C Kalyan has been amazing and totally committed as a producer.

Nothing means more to me than making the best music and me getting better as a writer and producer... I want you to know I work really hard. The bar is really high.

I have become a full-fledged producer. I spend a lot of time on pre-production work.

On my 'Mickey' video, I was the director, producer, choreographer, editor, singer - everything.

Playwriting gets into your blood and you can't stop it. At least not until the producers or the public tell you to.

You can expect to see us add several notable multifamily producers. We're committed to the space. We're attracted by the space. We have a strong offering, and we want to continue to build on it.

For every film that I have believed in - from 'Tanu Weds Manu' to 'Rehna Hai Tere Dil Mein' - it was very difficult to find producers.

If I feel the part is right, and I know that the producers and the director want me, I'd go for broke. Always.

A lot of producers now are people who stay in their office and never go to the set. I don't know how you can be the advocate of the movie if you're not there in it every day.

My hands are already full writing and directing, because that's a full time job. Actually, that's why I don't produce as well, as there's already enough producers.

I was always critiquing my work. I let everybody else around - producers, directors, other actors - they give the nod of approval or the praise. Because I tried to always bring the best, so even if they were happy with it, I was still scrutinizing it.

I have worked with producers like Saif Ali Khan and Salman Khan, and there have never been any complaints about my late-comings.

If not for the producers' conviction in me, I wouldn't have had the faith to pull off 'Prince.'

I'm willing to fail, my producers are willing to fail, my crew is willing to fail.

For me, I always had producers come to me with films, even if it was not like the Khans, but whatever I have got I have tried to give my best to it.

I do not want to waste my time by counting films of other producers as I have better things to perform.

I try to keep up to my producers' expectations. Sometimes, I can; sometimes, I cannot.

It's a lot of work that goes into producing and directing and all those kinds of things. It doesn't just happen. It's a lotta work. It's a lot more work than acting.