Quotes About Worlds

When you think about 'The Simpsons' or 'King of the Hill' or something like that, the worlds tend to expand each episode, because there's no additional cost incurred to hire an animated character.

Post-human intelligence will develop hypercomputers with the processing power to simulate living things - even entire worlds. Perhaps advanced beings could use hypercomputers to surpass the best 'special effects' in movies or computer games so vastly that they could simulate a world, fully, as complex as the one we perceive ourselves to be in.

Search is now more than a web destination and a few words plugged into a box. Search is a mode, a method of interaction with the physical and virtual worlds. What is Siri but search? What are apps like Yelp or Foursquare, but structured search machines? Search has become embedded into everything and has reached well beyond its web-based roots.

A lot of times you have very ego-driven actors and actresses that stay in their little world, and when you have a scene together, your worlds meet for a moment. But I don't think that makes for a very good cohesion.

When I was a little girl, I loved theater a lot and I was always playing and making my own worlds.

What's important to me is offering perspectives into worlds that people don't often get to see. Do you know what I mean? From angles they don't often get to see.

A theory not only explains the world we see, it lets us imagine other worlds, and, even more significantly, lets us act to create those worlds. Developing everyday theories, like scientific theories, has allowed human beings to change the world.

There are things that I will always shoot, but now that the modeling and acting worlds are becoming very close, you can do a little bit of one and more of the other.

If there are other worlds elsewhere in the universe, I would conjecture they are governed by the same laws of natural selection.

The bottom line is, like, one in five stars has at least one planet where life might spring up. That's a fantastically large percentage. That means in our galaxy, there's on the order of tens of billions of Earth-like worlds.

The fantasy world, the 'Game of Thrones' world, the forgotten realms worlds - they're the type of worlds I've always wanted to live in. Where vampires, dragons, dwarves and elves are real.

I love directing. I love creating things that I don't necessarily even have to be in. I like creating worlds. So I'm getting into writing movies and selling movies and television shows and creating worlds that then get to live beyond me.

I still recommend reading travel guides as an insight to a traveller's perspective on fantasy worlds. Nearly all characters end up travelling at some point, and they have many of the same needs and concerns covered in travel guides.

I'm quite interested in adapting some of James Herbert's early work. 'The Dark'... But I was always desperate to do an adaptation of 'War of the Worlds' until the Beard stole it from underneath my feet.

I'm not saying that experiencing loss is why I can cope with darker worlds - I'm not saying that for a second - but I think it opens up a side of you in terms of work that wouldn't be as accessible had that stuff not happened.

I feel like my imagination was crafted by Tolkien. He seemed to tap into that childhood intrigue of secret doors and hidden worlds.

Most of my interests in terms of writing are dark, so it's discordant how much I try to lock into the vibe of wherever I'm at. Inhabiting the life of the imagination is the nature of survival strategy - you build yourself little worlds to enjoy.

In some ways. I always feel between worlds, between cultures, and I think that's not necessarily a bad place for a writer to be. Writers are kind of on the fringe anyway, observing, writing things down. I'm still mostly American, but it's a nice tension.

What 'Floating Worlds' does draw on is Holland's artistry in bringing the past to life in her historical fiction and depicting the people who inhabited that past.

A reader's own imagination is a far more powerful form of CGI than anything any movie can provide because it's unique. In your own imagination, you can enter all sorts of worlds, and they are unique to you because no other reader will interpret a book the same way.

Benjamin Franklin maintained that every star is a sun, and every sun nourishes a 'chorus of worlds' just like ours.

In science fiction, basic doubts featured prominently in the worlds of Philip K. Dick. I knew Phil for 25 years, and he was always getting onto me, a scientist. He was a great fan of quantum uncertainty, epistemology in science, the lot.

The ideal engine of a 3-D game is an intricate and elegant construct of code that allows players to speed through solidly built virtual worlds. The engine allows every picture on a monitor to be drawn there quickly enough to convince hand and eye that it is instantaneous.

Actors get to go to these amazing worlds. In 'Terminator,' I was a cyborg with feelings; in 'Avatar,' I lived for 15 months on a fantastical planet, and in 'Clash of the Titans,' I get to fight a scorpion the size of a dump truck. It's a bizarre job, but you explore yourself.