Quotes About Viewers

A lot of entertainment, and especially in a half-hour format, can be all jokes, all the time. And some of those jokes can be really, really funny, but what I respond to, as a viewers, is identification or caring about the characters.

My viewers are smart. They know I have a contract with a TV show and that I make a lot of money.

Since most of our films cater to crossover audiences, I think it's time we make films for multilingual viewers.

The original 'CSI' grew stronger once the spinoffs became entrenched. Like any good franchise, when there's a great story to be told, viewers can't get enough.

Viewers don't want you to walk the fence - they do want a point of view - and that's what we bring.

Festivals are where I see other peoples' films, where we talk, where I get to learn what was working about the film, I get to have a discussion with viewers... and people who enjoy reading films - I enjoy reading other peoples' films, and what discussions can come of that.

My performance, I believe, is about my duty to the script, and my duty to the story that we're trying to tell, and I try to do that in a way that is true, in a way that's going to hold up the script, and that's going to be fun for the viewers to watch.

I'm so grateful to have my viewers, and they all have been so supportive through the years.

Times are changing, and it's catching on that the roles on TV and film need to reflect its diverse viewers.

I really focus on giving the viewers compelling television, and hope that more and more people watch.

I run into viewers all the time who have no idea I've moved to N.Y.C. I think, for many of them, a studio is a studio is a studio.

I'm making movies about people as flawed as myself and the viewers. So if you just have a reptilian brain and live your life simply by reacting to things, my movies aren't going to work for you.

A TV show has to be a certain length and, you know, you have expectations from the viewers. You know, you want to see the characters again, or you want to see certain dynamics between the characters or certain kinds of storylines. And you kind of figure out how to best fit what you want to say into that format.

A lot of female viewers who may not have known about wrestling or watched it before are tuning in now because of 'Total Divas.'

My hope is to be a trusted utensil for viewers. Like, literally, 'That thing works. I can rely on that thing.'

For me, the biggest thing I've learned is how to be myself and the fact that viewers actually want to feel like they're getting to know you as a person. They value you because you're a reporter and you're bringing them new information, but they also want to feel like they get a sense of your sense of humor and what things you're interested in.

I hate being typecast and I don't want to do things that are boring for me because it would be boring for the viewers as well.

People can now get to see anything they want, in any shape or form, anywhere, on laptop, iPad or 'phone. What's not controllable, though, is the live element. So there's still a real thrill for TV viewers in watching actors pulling it all together and performing live, and a real challenge for the actors.

Pay-per-views bring conclusion to storylines and what has been going on from television. It is important to give viewers satisfactory pay off over storylines and that is why pay-per-views are important.

One of the secrets of Fox News' outsized success - it's the most profitable news organisation in the U.S. and, quite likely, the world - is that it saw the country full of liberal occupiers and Fox News' viewers as the heroic resistance.

Whatever I have been able to achieve in all these years is good for me and I feel God has been kind to me. Having said that I have been part of the limelight all these years but my fans and viewers don't know my real side. With 'Bigg Boss' they will get to know who Shefali Zariwala actually is.

After all, what is cinema? It is an interaction, a discussion that throws up questions and provides some solutions. The solutions might look simple, impractical or too fictionalised. But one must realise that viewers empathise with certain characters because they strike a chord with the viewers' needs and frame of mind.

Fifty one per cent of 'Time Team' viewers are not of my gender. And that surprised me, because I thought it'd be at least 60 per cent male.

We often come across certain directors who mention some of their own flops as their favourites. They will blame the viewers for not realising its merits. I think that is plain hypocrisy.