Quotes About Recording

I think I definitely enjoy recording, but I think it's more fun to go out and perform live, because it's like instant gratification, you know? You feel the response immediately.

No compression or as little as possible - that's how you get a good recording.

I've been recording forever. I'm a watcher. I'm a stalker. I love everything about people. It's always been a passion for me to observe.

The group-effort sound in recording of 'Sea Lion' is like, you really hear all the people in the room and hear them interlocking. There's a real freight-train energy of all these people at the same time playing.

I don't really have any interest in recording at places that are institutionalized for recording.

I always liked the intensity of the recording.

I just work a lot. I just remember recording in a hotel room in Malaysia. I work on planes, I work on buses. A lot of times when I'm backstage in the hotel or on the bus, I would have new ideas.

We're all players and musicians and we sure all get along good. We just clicked right off the bat. We started playing and then we almost immediately started recording.

People are so into digital recording now they forgot how easy analog recording can be.

I just get focused on whatever is in front of me. When I was filming Crossroads, it had all my focus. Now I'm all focused on finishing my recording so I can get that out. It's just day by day.

I had already been making music for my whole high school life, and '10 Day,' which took me a whole year to finish, was about working with a lot of different producers and learning all of the aspects about being a rapper, from shows to recording to studio etiquette to marketing.

We rarely write in the studio. Everything's already completely arranged before we go in. That way, we can really focus on getting the recording right.

Yeah, I mean, I'm a beast in the studio. My first record, I finished recording in like two days. The second was three days.

I was not performing or recording in the last trimester of my pregnancy but I was working from home, planning my futures projects.

In recording, you're trying to make something work sonically - getting the right inflection on the right guitar sound - and maybe a part that would be musically great doesn't sound as cool.

I'm recording another demo for another batch of record labels that we'll shop it around to.

I started recording in '67. In the first part of '68, my first single was 'Backup Train.' That was success to a degree. Four years have passed by since then, and I have managed to come up with a few measly sellers.

I think what I always want whenever I'm recording is to have even just 2 percent of what the Alabama Shakes have, Brittany Howard.

I had a project called 'Cover Art,' which was the first project I did under the new name Anderson .Paak. I went through this process where I was recording new music for about six months straight.

When you're recording a ninth studio album, you can't fail. You don't really have any fears. You just make the best record that you like. You hope your fans are gonna like it, but if they don't, they have eight other ones to listen to.

We got our old Neve recording console, it was owned by The Kinks for a long time.

I did my first recording. It was called The Champ.

I began hearing rumors of apossible recording session with Neil Young. I was a huge fan of Neil's.

I began both auditioning with Pearl Jam and recording for Eleven. In the fall of 1994, I joined Pearl Jam.