Quotes About Apocalyptic

'Apocalyptic Love,' that is pretty from the hip in the sense that, one day, Slash and I were talking - I think it was Slash and I - about the end of the world and the Mayan calendar and all that crazy stuff.

I look around, and 50 percent of the big-budget entertainment you are seeing these days is dystopian. This is the era of 'Hunger Games' and blasted landscapes and 'The Walking Dead.'

The Caribbean is such an apocalyptic place, whether it's the decimation of the indigenous populations by the Europeans, whether it's the importation of slaves and their subsequent being worked to death by the millions in many ways, whether it's the immigrant processes which began for many people, new worlds ending their old ones.

Part of what my work has always been about is to show that the apocalyptic character of the gospel makes the everyday possible. It gives us the time that lets us care for one another as we are ill, helps us care for one another as we experience broken relationships, and helps us take the time to worship God in a world of such violence.

I think the environmental movement has failed in that it's used the stick too much; it's used the apocalyptic tone too much; it hasn't sold the positive aspects of being environmentally concerned and trying to pull us out.

American decline is real, though the apocalyptic vision reflects the familiar ruling class perception that anything short of total control amounts to total disaster.

One of Jesus's characteristic teachings is that there will be a massive reversal of fortunes when the end comes. Those who are rich and powerful now will be humbled then; those who are lowly and oppressed now will then be exalted. The apocalyptic logic of this view is clear: it is only by siding with the forces of evil that people in power have succeeded in this life; and by siding with God other people have been persecuted and rendered powerless.

a human seer experiences visions of heavenly realities—often told in highly symbolic language with, at times, quite bizarre images—is almost always written pseudonymously. A book of this sort is known as an "apocalypse," a literary genre used set to forth an apocalyptic view that explains the cosmic reasons for the horrible state of earthly affairs

The Greek word apocalypsis means a "revealing" or an "unveiling." Scholars have called this view apocalyptic because its proponents believed that God had revealed or unveiled to them the heavenly secrets that could make sense of the realities they were experiencing—many of them nasty and ugly—here on earth. One

a one-sentence definition of an entire literary genre, but if I were to take a stab for "apocalypses," it would be something like this: apocalypses are first-person narratives of highly symbolic visionary experiences that reveal heavenly secrets to explain earthly realities.

The Christ of Nicea is obviously a far cry from the historical Jesus of Nazareth, an itinerant apocalyptic preacher in the backwaters of rural Galilee who offended the authorities and was unceremoniously crucified for crimes against the state. Whatever he may have been in real life, Jesus had now become fully God.

Jewish texts known as the Sibylline Oracles.

In the thought world Mark creates, the apocalyptic Son of Man who is about to appear in glory (13: 24–31) is the same as the Son of Man who came forty years earlier to die on the cross (8: 31, 38; 9: 9–13, 31).

Like all apocalyptic writers, the author despises people in general and fantasizes about the destruction of everyone different from him and his chosen group.

As with many apocalyptic movements, greenism is laced with misanthropy, including an indifference to starvation, an indulgence in ghoulish fantasies of a depopulated planet, and Nazi-like comparisons of human beings to vermin, pathogens, and cancer.

It is almost incredible that towards the end of the twentieth century, biblical fundamentalism made such a comeback in America. No less astounding is its alliance with the small body of Jewish fundamentalists in Israel to further their respective apocalyptic dreams.

We were trying, as I irrelevantly analyzed it, to avoid what might be termed a historic mistake. We were trying to understand, that is, whether we were in a preapocalyptic situation, like the European Jews in the thirties or the last citizens of Pompeii, or whether our situation was merely near-apocalyptic, like that of the Cold War inhabitants of New York, London, Washington

apocalyptic that has no parentage in biblical sources or gospel commitments, does promote a progeny of irresponsibility (and the brats are noisily and distressingly in evidence on every American street), but the real thing, the conceived-in-holy-wedlock apocalyptic, develops communities that are passionately patient, courageously committed to witness and work in the kingdom of God no matter how long it takes, or how much it costs.

'The Hunger Games' takes place in Panem, a country which is part of America. It's post-apocalyptic. There's been a global war. The Panem country is what remains of this hugely destructive war.

So I've always been kind of an apocalyptic kind of kid, and looking back at the movies I've done, there's some kind of apocalypse in them. So that must be what scares me... besides Republicans.

I would suggest that what the translator has to give up is the temptation to translate history by making sense of it, that is, by using an apologetic or apocalyptic discourse. What the translator fails to do is to erase the body, to erase the murder of the original.

The weapon of memory, turned on the self, is an apocalyptic sword.

Therefore the fathers shall eat the sons in the midst of thee, and the sons shall eat their fathers; and I will execute judgments in thee, and the whole remnant of thee will I scatter into all the winds.

The change from night to day, the battle that is fought during that change, and the transformation into Jesus, can all feel a little bit apocalyptic. No one said that discipleship was easy.