Quotes About Fusion

A lot of people forget that R&B put hip-hop on, R&B put rock on.

As a lover of both hip-hop and jazz, I feel like much of the latter community still doesn't truly embrace hip-hop as a musical extension.

I never had a problem moving between jazz and hip-hop.

I like hip-hop and rock music.

I used to do this one club called New York Sound Factory where I played house, hip-hop, and dancehall. I was one of the first DJs in the South to play everything.

It is astounding how evolved and progressed India has become. It is holding on to its extraordinary rich culture and becoming global and Western at the same time.

I've made my own music, and the way I've always described it is Peggy Lee with an electric guitar, or Billie Holiday with some PJ Harvey in there.

I want to pay homage to Los Angeles.

I'd call my music rock but with pop hooks.

The 'chinked out' style is a school of hip hop - that's the way I like to think of it - that incorporates Chinese elements and sounds.

We listen to a lot of hip hop. They're the ones that are trailblazing. It used to be rock, but it's really turned to hip hop, and they're doing really unique and cool things, and we wanted to do that, too.

We are beginning to see intimations of this in the implantation of computer devices into the human body.

The music we're playing now is based on my heritage, which is Russian, Romanian and Hungarian.

A thought robot activated by the tremendous energies unleashed during collisions of fundamental opposing qualities. A new fusion process powered by... 'dualites'? No. There are no dualities. Only symmetries. Final Crisis: Superman Beyond

On Friday there was a department Colloquium on plasma physics, given by Norman Rostoker. Gordon went and sat well in the back. Rostoker's first slide was: Seven Phases of the Thermonuclear Fusion Program I Exultation II Confusion III Disenchantment IV Search for the Guilty V Punishment of the Innocent VI Distinction for the Uninvolved VII Burying the Bodies/Scattering the Ashes

Puerto Rico is the perfect meeting place between Spain, the country I come from, and America, the country where I now belong. The meeting point of two worlds where magic can happen.

I want to find the intersection between digital media and traditional media and be pioneering the endeavor to merge the two worlds.

We want to connect all these musical worlds together. We just improvise; we know straight away if its going to work or not. They're not covers - I hate the word cover. We do a transcription: mix it up, put our own spin on it. I think people will be surprised how powerful our show is.

Being in the Midwest, you get the best of all worlds and add your own flavor to it.

In general, we like to play as a band - guitar, piano, and voice. We also tour with a bass player, a drummer, and somebody who plays keyboard and guitar. We try to play all of our parts and flesh it out to get a lush sound, while also keeping the energy of a three-piece punk act. We want to be the best of all possible worlds.

People don't listen to one radio station. On iTunes you can mix different worlds and bring country and pop and folk and live music together with a mass audience. I could have sung 'Easy' in a country way but I just sang it how I sing. I think it's a really nice blend.

Tailoring was considered to be a world that was very traditional, and basically going out of fashion. Fashion designers did not have a real link with tailoring or tradition, so I fused the two worlds together.

In particular, I'm drawn to the stories that have big, high concepts and real characters at their heart. And I love where those two worlds meet, and 'Edge of Tomorrow' is the perfect canvas to explore that.

Honestly, I got the best of both worlds: groove of New Orleans meets the intensity of Texas. That's the best education I could have, the best experiences I could have.