Quotes About Fusion

Ideally I would like the work to be a hybrid between painting and photography.

My studio is a fantastic combination of old and new, and that's how I've always liked to work.

I never work with one inspiration in mind. I like to take things from everywhere and piece it together. It's never a theme or a trick.

I liked being able to work with all the different producers and take what they brought to the table and bring my own style to it.

I think that it's always more interesting to combine familiar sounds together in a new way and with newer sounds if you can make it work, rather than sticking to just one style too strictly.

My work is never just fashion, landscape, or portraiture; it's always kind of an odd mixture of everything. I like muddling it together.

[Riccardo Tisci ] has an interesting approach to weaving the contemporary with the couture, and blending tribes and collections. It always seems to work.

I always like to borrow bits and pieces of things. There's a line between jumping on something that's happening and incorporating bits and pieces of it into my work.

I love couture, but the other side of me loves the street, and I think the mix of these two can create something new.

My hope is that very young people in America who have experience with the streets, hip-hop, college, higher learning will fuse all that together. I just want to be the music that can relate to both sides, that stitch together their lives or represents their experiences.

I want my careless song to strike no minor key; no fiend to stand between my body's Southern song - the fusion of the South, my body's song and me.

I'm trying to strike a balance between Bollywood and Hollywood.

For anybody to say well this is not Hip Hop and that's not Hip Hop, that is not the way the formula was laid down. It was for the people who were going to continue take anything musically and string it along.

Producing isn't just making beats on a beat machine. It's bringing together these string players with this flute player and this singer, and telling them to all work in the key of C major... You bring these people together and let them all cook.

It's amazing how well real strings blend with metal, like that whole sound.

Like Muse and Linkin Park, we are also striving to be the one and only to create a new genre called BABYMETAL. We hope to be as cool as them.

See, we started out with a foundation of blues. But then we added people like Miles Davis and John Coltrane to the mix and gave rock n' roll a much more complex structure. It made it possible to play more than three chords.

Before Dylan, before rock became art, it was a wonderful fusion of pop structure and personal statements.

Combining sounds that are from another universe with the classic songwriting structures never gets old for me.

I know all about Orange County.

I've always loved mixing Middle Eastern instruments into a classical orchestra.

For me, electronic music is like cooking: it's a sensual organic activity where you can mix ingredients.

I love Puccini and that oriental influence in his music.

Originally, 'The Monster' started out as this indie, Florence And The Machine, tribal-y, almost Spanish-esque dance record.